The germ of a story is a new and simple element introduced into an existing situation or mood.

I never cease to be amazed why some of my friends became famous and others, just as talented, didn't. I've come to suspect it's a matter of wanting fame or not, and those who don't want it, don't get it.

Going back to Hemingway's work after several years is like going back to a brook where you had often fished and finding the woods as deep and cool as they used to be.

They tell you that you'll lose your mind when you grow older. What they don't tell you is that you won't miss it very much.

Put cotton in your ears and pebbles in your shoes. Pull on rubber gloves. Smear Vaseline over your glasses, and there you have it: instant old age.

First New York was a sort of provincial capital, bigger and richer than Manchester or Marseilles, but not much different in its essential spirit. Then, after the war, it became one among half a dozen world cities. Today it has the appearance of standing alone, as the center of culture in the part of the world that still tries to be civilized.

Any fiction should be a story. In any story there are three elements: persons, a situation, and the fact that in the end something has changed. If nothing has changed, it isn't a story.

Age is not different from earlier life as long as you're sitting down

Talent is what you possess genius is what possesses you.

It is the fear of being as dependent as a young child, while not being loved as a child is loved, but merely being kept alive against one's will.

A man rising in the world is not concerned with history he is too busy making it. But a citizen with a fixed place in the community wants to acquire a glorious past just as he acquires antique furniture. By that past he is reassured of his present importance in it he finds strength to face the dangers that lie in front of him.

Authors are sometimes like tomcats: They distrust all the other toms but they are kind to kittens