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There's at least one fist bump every interview.
M. Ward
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M. Ward
Age: 51
Born: 1973
Born: October 4
Guitarist
Musician
Record Producer
Singer
Singer-Songwriter
Ventura County
California
Matthew Stephen Ward
Matt Ward
Interview
Interviews
Least
Every
Bump
Fist
Bumps
Fists
More quotes by M. Ward
It's a hard thing to explain, but the more I arrange for strings, the more I realize the possibilities.
M. Ward
It's no fun for me to cover a song and produce it the exact same way as it already exists. When I hear that happening, I have to say, 'What's the point?
M. Ward
I'm somebody who gets a lot of inspiration from dreams.
M. Ward
Even though someone has died, a piece of their spirit can still be alive. That's an exciting world for me to take music into, or to attempt to do that.
M. Ward
I do watch 'American Idol' sometimes. It's not really that pleasurable... I take that back. It is the epitome of a guilty pleasure. Sometimes there's some good singers on that show.
M. Ward
I went every Sunday to church when I was growing up, and I think that music had an affect on me before my memory can recall.
M. Ward
My favorite recordings are the ones that feel like there were no middlemen in the creation. That's the biggest problem with most films and records being made today - too many people involved. I think it dilutes the artist's intent and inspiration.
M. Ward
I get most of my inspiration from older records. Most of the records that I listen to were probably made before I was born, and I was born in the mid-'70s. I don't know why, exactly, I'm drawn to those sounds.
M. Ward
I don't really watch TV series because I don't want to get hooked on them and have them suck up all my time.
M. Ward
My philosophy for producing a record is for everyone involved, including myself, to get out of the way of the song, and at the same time, listen to it as closely as you can, and listen to where the song wants to go.
M. Ward
I had the naive, simplistic idea that producers and writers and artists of the time helped in a minuscule way to change the mind-set of America.
M. Ward
I treat the act of making a record very much like working in a laboratory, experimenting with sounds and ideas. Whoever chooses to latch onto it, great whoever doesn't, that's fine, too. The reaction always pales in comparison to the weight of the act of production.
M. Ward
When you work on a record for three years, it's a great sense of relief when it is finally out in the world. It just feels good.
M. Ward
Certain things you have to stumble on to. They can't be preprogrammed.
M. Ward
When I was about 15, I picked up the guitar and learned how to play by going through Beatles chords books. I got this Christmas gift with the entire Beatles catalog.
M. Ward
In order to make a normal-sized record, a singer songwriter should have a couple dozen finished songs. Once they go through the process of production, the ones that scream out at you that they're finished are the ones that make the record.
M. Ward
I remember when I was 5 or 6 years old, gospel music felt familiar, like I had heard it in the womb or something. A lot of those old gospel songs still give me that feeling, that it's older than time and there's actually music that can tap into a universal subconscious, or whatever word you want to put on it.
M. Ward
As a producer, I like to bring in unexpected voices, unexpected musicians, like Watt and Joey Spampinato of NRBQ.
M. Ward
My grandparents are from Mexico, so I grew up with great Mexican food.
M. Ward
From a very early age, I started to get really interested in how songs were put to tape. Not just listening to the songs, but the way the songs were recorded.
M. Ward
