Quote

In order to make a normal-sized record, a singer songwriter should have a couple dozen finished songs. Once they go through the process of production, the ones that scream out at you that they're finished are the ones that make the record.

M. Ward

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M. Ward
Age: 51
Born: 1973
Born: October 4
Guitarist
Musician
Record Producer
Singer
Singer-Songwriter
Ventura County
California
Matthew Stephen Ward
Matt Ward
Process
Productions
Sized
Song
Finished
Songwriter
Order
Record
Songwriters
Make
Songs
Scream
Normal
Dozen
Couple
Singer
Ones
Singers
Records
Production

More quotes by M. Ward

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My philosophy for producing a record is for everyone involved, including myself, to get out of the way of the song, and at the same time, listen to it as closely as you can, and listen to where the song wants to go.
M. Ward
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It's a hard thing to explain, but the more I arrange for strings, the more I realize the possibilities.
M. Ward
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The South of France is one of my favorite places in the world.
M. Ward
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Even though someone has died, a piece of their spirit can still be alive. That's an exciting world for me to take music into, or to attempt to do that.
M. Ward
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I learned a long time ago that fame and money is not a ticket to happiness.
M. Ward
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I remember when I was 5 or 6 years old, gospel music felt familiar, like I had heard it in the womb or something. A lot of those old gospel songs still give me that feeling, that it's older than time and there's actually music that can tap into a universal subconscious, or whatever word you want to put on it.
M. Ward
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From a very early age, I started to get really interested in how songs were put to tape. Not just listening to the songs, but the way the songs were recorded.
M. Ward
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It might be a meaningless moment, but those sparks that ignite the song.... It's mystical maybe, those magic moments. And to make music for a living, to perform these songs over and over, you have to safeguard those sparks. If you can do that, they'll last a lot longer.
M. Ward
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I get most of my inspiration from older records. Most of the records that I listen to were probably made before I was born, and I was born in the mid-'70s. I don't know why, exactly, I'm drawn to those sounds.
M. Ward
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I don't like the way recording to digital sounds.
M. Ward
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Certain things you have to stumble on to. They can't be preprogrammed.
M. Ward
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I had the naive, simplistic idea that producers and writers and artists of the time helped in a minuscule way to change the mind-set of America.
M. Ward
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When you work on a record for three years, it's a great sense of relief when it is finally out in the world. It just feels good.
M. Ward
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I'm somebody who gets a lot of inspiration from dreams.
M. Ward
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When I first started making music, it was learning other peoples songs and putting them onto four-track. Like Beatles songs and stuff. When I started writing, I used the singing side of the production as a vehicle for melody and lyrical ideas.
M. Ward
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When I was about 15, I picked up the guitar and learned how to play by going through Beatles chords books. I got this Christmas gift with the entire Beatles catalog.
M. Ward
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I went every Sunday to church when I was growing up, and I think that music had an affect on me before my memory can recall.
M. Ward
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I get annoyed with movies or books, songs or records that deliberately try to make you feel a certain way.
M. Ward
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I love the idea that I planned my career. I did not. It started out by getting invitations from artists that I really love and respect, to share a stage... I've been very lucky in that I haven't had to create a five-year plan. It's evolved.
M. Ward
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It's no fun for me to cover a song and produce it the exact same way as it already exists. When I hear that happening, I have to say, 'What's the point?
M. Ward