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It's a hard thing to explain, but the more I arrange for strings, the more I realize the possibilities.
M. Ward
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M. Ward
Age: 51
Born: 1973
Born: October 4
Guitarist
Musician
Record Producer
Singer
Singer-Songwriter
Ventura County
California
Matthew Stephen Ward
Matt Ward
Thing
Arrange
Strings
Possibilities
Explain
Possibility
Realize
Realizing
Hard
More quotes by M. Ward
My favorite recordings are the ones that feel like there were no middlemen in the creation. That's the biggest problem with most films and records being made today - too many people involved. I think it dilutes the artist's intent and inspiration.
M. Ward
I treat the act of making a record very much like working in a laboratory, experimenting with sounds and ideas. Whoever chooses to latch onto it, great whoever doesn't, that's fine, too. The reaction always pales in comparison to the weight of the act of production.
M. Ward
I don't really watch TV series because I don't want to get hooked on them and have them suck up all my time.
M. Ward
I love the idea that I planned my career. I did not. It started out by getting invitations from artists that I really love and respect, to share a stage... I've been very lucky in that I haven't had to create a five-year plan. It's evolved.
M. Ward
I do watch 'American Idol' sometimes. It's not really that pleasurable... I take that back. It is the epitome of a guilty pleasure. Sometimes there's some good singers on that show.
M. Ward
It's no fun for me to cover a song and produce it the exact same way as it already exists. When I hear that happening, I have to say, 'What's the point?
M. Ward
I don't like the way recording to digital sounds.
M. Ward
I'm somebody who gets a lot of inspiration from dreams.
M. Ward
My grandparents are from Mexico, so I grew up with great Mexican food.
M. Ward
I had the naive, simplistic idea that producers and writers and artists of the time helped in a minuscule way to change the mind-set of America.
M. Ward
From a very early age, I started to get really interested in how songs were put to tape. Not just listening to the songs, but the way the songs were recorded.
M. Ward
It might be a meaningless moment, but those sparks that ignite the song.... It's mystical maybe, those magic moments. And to make music for a living, to perform these songs over and over, you have to safeguard those sparks. If you can do that, they'll last a lot longer.
M. Ward
When I first started making music, it was learning other peoples songs and putting them onto four-track. Like Beatles songs and stuff. When I started writing, I used the singing side of the production as a vehicle for melody and lyrical ideas.
M. Ward
As a producer, I like to bring in unexpected voices, unexpected musicians, like Watt and Joey Spampinato of NRBQ.
M. Ward
I get most of my inspiration from older records. Most of the records that I listen to were probably made before I was born, and I was born in the mid-'70s. I don't know why, exactly, I'm drawn to those sounds.
M. Ward
My philosophy for producing a record is for everyone involved, including myself, to get out of the way of the song, and at the same time, listen to it as closely as you can, and listen to where the song wants to go.
M. Ward
I remember when I was 5 or 6 years old, gospel music felt familiar, like I had heard it in the womb or something. A lot of those old gospel songs still give me that feeling, that it's older than time and there's actually music that can tap into a universal subconscious, or whatever word you want to put on it.
M. Ward
I went every Sunday to church when I was growing up, and I think that music had an affect on me before my memory can recall.
M. Ward
The South of France is one of my favorite places in the world.
M. Ward
When you work on a record for three years, it's a great sense of relief when it is finally out in the world. It just feels good.
M. Ward
