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I treat the act of making a record very much like working in a laboratory, experimenting with sounds and ideas. Whoever chooses to latch onto it, great whoever doesn't, that's fine, too. The reaction always pales in comparison to the weight of the act of production.

M. Ward

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M. Ward
Age: 51
Born: 1973
Born: October 4
Guitarist
Musician
Record Producer
Singer
Singer-Songwriter
Ventura County
California
Matthew Stephen Ward
Matt Ward
Ideas
Record
Onto
Latch
Great
Weight
Whoever
Latches
Much
Records
Reactions
Experimenting
Always
Fine
Production
Chooses
Like
Working
Productions
Laboratory
Sound
Treat
Pale
Making
Treats
Reaction
Doesn
Sounds
Comparison
Pales

More quotes by M. Ward

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I had the naive, simplistic idea that producers and writers and artists of the time helped in a minuscule way to change the mind-set of America.
M. Ward
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From a very early age, I started to get really interested in how songs were put to tape. Not just listening to the songs, but the way the songs were recorded.
M. Ward
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I don't like the way recording to digital sounds.
M. Ward
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Certain things you have to stumble on to. They can't be preprogrammed.
M. Ward
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In order to make a normal-sized record, a singer songwriter should have a couple dozen finished songs. Once they go through the process of production, the ones that scream out at you that they're finished are the ones that make the record.
M. Ward
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My favorite recordings are the ones that feel like there were no middlemen in the creation. That's the biggest problem with most films and records being made today - too many people involved. I think it dilutes the artist's intent and inspiration.
M. Ward
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The South of France is one of my favorite places in the world.
M. Ward
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I get annoyed with movies or books, songs or records that deliberately try to make you feel a certain way.
M. Ward
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I went every Sunday to church when I was growing up, and I think that music had an affect on me before my memory can recall.
M. Ward
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It's a hard thing to explain, but the more I arrange for strings, the more I realize the possibilities.
M. Ward
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There's at least one fist bump every interview.
M. Ward
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Even though someone has died, a piece of their spirit can still be alive. That's an exciting world for me to take music into, or to attempt to do that.
M. Ward
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It's no fun for me to cover a song and produce it the exact same way as it already exists. When I hear that happening, I have to say, 'What's the point?
M. Ward
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I don't really watch TV series because I don't want to get hooked on them and have them suck up all my time.
M. Ward
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I learned a long time ago that fame and money is not a ticket to happiness.
M. Ward
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I remember when I was 5 or 6 years old, gospel music felt familiar, like I had heard it in the womb or something. A lot of those old gospel songs still give me that feeling, that it's older than time and there's actually music that can tap into a universal subconscious, or whatever word you want to put on it.
M. Ward
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When you work on a record for three years, it's a great sense of relief when it is finally out in the world. It just feels good.
M. Ward
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When I first started making music, it was learning other peoples songs and putting them onto four-track. Like Beatles songs and stuff. When I started writing, I used the singing side of the production as a vehicle for melody and lyrical ideas.
M. Ward
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It might be a meaningless moment, but those sparks that ignite the song.... It's mystical maybe, those magic moments. And to make music for a living, to perform these songs over and over, you have to safeguard those sparks. If you can do that, they'll last a lot longer.
M. Ward
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I'm somebody who gets a lot of inspiration from dreams.
M. Ward