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I treat the act of making a record very much like working in a laboratory, experimenting with sounds and ideas. Whoever chooses to latch onto it, great whoever doesn't, that's fine, too. The reaction always pales in comparison to the weight of the act of production.

M. Ward

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M. Ward
Age: 50
Born: 1973
Born: October 4
Guitarist
Musician
Record Producer
Singer
Singer-Songwriter
Ventura County
California
Matthew Stephen Ward
Matt Ward
Doesn
Sounds
Comparison
Pales
Ideas
Record
Onto
Latch
Great
Weight
Whoever
Latches
Much
Records
Reactions
Experimenting
Always
Fine
Production
Chooses
Like
Working
Productions
Laboratory
Sound
Treat
Pale
Making
Treats
Reaction

More quotes by M. Ward

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My favorite recordings are the ones that feel like there were no middlemen in the creation. That's the biggest problem with most films and records being made today - too many people involved. I think it dilutes the artist's intent and inspiration.
M. Ward
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It's a hard thing to explain, but the more I arrange for strings, the more I realize the possibilities.
M. Ward
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Certain things you have to stumble on to. They can't be preprogrammed.
M. Ward
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In order to make a normal-sized record, a singer songwriter should have a couple dozen finished songs. Once they go through the process of production, the ones that scream out at you that they're finished are the ones that make the record.
M. Ward
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When I first started making music, it was learning other peoples songs and putting them onto four-track. Like Beatles songs and stuff. When I started writing, I used the singing side of the production as a vehicle for melody and lyrical ideas.
M. Ward
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It might be a meaningless moment, but those sparks that ignite the song.... It's mystical maybe, those magic moments. And to make music for a living, to perform these songs over and over, you have to safeguard those sparks. If you can do that, they'll last a lot longer.
M. Ward
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It's no fun for me to cover a song and produce it the exact same way as it already exists. When I hear that happening, I have to say, 'What's the point?
M. Ward
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I'm somebody who gets a lot of inspiration from dreams.
M. Ward
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I don't really watch TV series because I don't want to get hooked on them and have them suck up all my time.
M. Ward
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When I was about 15, I picked up the guitar and learned how to play by going through Beatles chords books. I got this Christmas gift with the entire Beatles catalog.
M. Ward
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I get annoyed with movies or books, songs or records that deliberately try to make you feel a certain way.
M. Ward
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There's at least one fist bump every interview.
M. Ward
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My grandparents are from Mexico, so I grew up with great Mexican food.
M. Ward
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As a producer, I like to bring in unexpected voices, unexpected musicians, like Watt and Joey Spampinato of NRBQ.
M. Ward
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From a very early age, I started to get really interested in how songs were put to tape. Not just listening to the songs, but the way the songs were recorded.
M. Ward
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I remember when I was 5 or 6 years old, gospel music felt familiar, like I had heard it in the womb or something. A lot of those old gospel songs still give me that feeling, that it's older than time and there's actually music that can tap into a universal subconscious, or whatever word you want to put on it.
M. Ward
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I don't like the way recording to digital sounds.
M. Ward
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The South of France is one of my favorite places in the world.
M. Ward
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I went every Sunday to church when I was growing up, and I think that music had an affect on me before my memory can recall.
M. Ward
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I get most of my inspiration from older records. Most of the records that I listen to were probably made before I was born, and I was born in the mid-'70s. I don't know why, exactly, I'm drawn to those sounds.
M. Ward