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I had the naive, simplistic idea that producers and writers and artists of the time helped in a minuscule way to change the mind-set of America.

M. Ward

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M. Ward
Age: 51
Born: 1973
Born: October 4
Guitarist
Musician
Record Producer
Singer
Singer-Songwriter
Ventura County
California
Matthew Stephen Ward
Matt Ward
Artist
Minuscule
Change
Simplistic
America
Naive
Ideas
Helped
Mind
Producers
Way
Artists
Time
Writers
Idea

More quotes by M. Ward

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The South of France is one of my favorite places in the world.
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I'm somebody who gets a lot of inspiration from dreams.
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I do watch 'American Idol' sometimes. It's not really that pleasurable... I take that back. It is the epitome of a guilty pleasure. Sometimes there's some good singers on that show.
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My philosophy for producing a record is for everyone involved, including myself, to get out of the way of the song, and at the same time, listen to it as closely as you can, and listen to where the song wants to go.
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It's no fun for me to cover a song and produce it the exact same way as it already exists. When I hear that happening, I have to say, 'What's the point?
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I don't really watch TV series because I don't want to get hooked on them and have them suck up all my time.
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My favorite recordings are the ones that feel like there were no middlemen in the creation. That's the biggest problem with most films and records being made today - too many people involved. I think it dilutes the artist's intent and inspiration.
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When you work on a record for three years, it's a great sense of relief when it is finally out in the world. It just feels good.
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I treat the act of making a record very much like working in a laboratory, experimenting with sounds and ideas. Whoever chooses to latch onto it, great whoever doesn't, that's fine, too. The reaction always pales in comparison to the weight of the act of production.
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I don't like the way recording to digital sounds.
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As a producer, I like to bring in unexpected voices, unexpected musicians, like Watt and Joey Spampinato of NRBQ.
M. Ward
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I learned a long time ago that fame and money is not a ticket to happiness.
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It's a hard thing to explain, but the more I arrange for strings, the more I realize the possibilities.
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I remember when I was 5 or 6 years old, gospel music felt familiar, like I had heard it in the womb or something. A lot of those old gospel songs still give me that feeling, that it's older than time and there's actually music that can tap into a universal subconscious, or whatever word you want to put on it.
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My grandparents are from Mexico, so I grew up with great Mexican food.
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I went every Sunday to church when I was growing up, and I think that music had an affect on me before my memory can recall.
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When I first started making music, it was learning other peoples songs and putting them onto four-track. Like Beatles songs and stuff. When I started writing, I used the singing side of the production as a vehicle for melody and lyrical ideas.
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I love the idea that I planned my career. I did not. It started out by getting invitations from artists that I really love and respect, to share a stage... I've been very lucky in that I haven't had to create a five-year plan. It's evolved.
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Even though someone has died, a piece of their spirit can still be alive. That's an exciting world for me to take music into, or to attempt to do that.
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I get annoyed with movies or books, songs or records that deliberately try to make you feel a certain way.
M. Ward