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I had the naive, simplistic idea that producers and writers and artists of the time helped in a minuscule way to change the mind-set of America.

M. Ward

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M. Ward
Age: 51
Born: 1973
Born: October 4
Guitarist
Musician
Record Producer
Singer
Singer-Songwriter
Ventura County
California
Matthew Stephen Ward
Matt Ward
America
Naive
Ideas
Helped
Mind
Producers
Way
Artists
Time
Writers
Idea
Artist
Minuscule
Change
Simplistic

More quotes by M. Ward

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I learned a long time ago that fame and money is not a ticket to happiness.
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My grandparents are from Mexico, so I grew up with great Mexican food.
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My favorite recordings are the ones that feel like there were no middlemen in the creation. That's the biggest problem with most films and records being made today - too many people involved. I think it dilutes the artist's intent and inspiration.
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I'm somebody who gets a lot of inspiration from dreams.
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I don't like the way recording to digital sounds.
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From a very early age, I started to get really interested in how songs were put to tape. Not just listening to the songs, but the way the songs were recorded.
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My philosophy for producing a record is for everyone involved, including myself, to get out of the way of the song, and at the same time, listen to it as closely as you can, and listen to where the song wants to go.
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I went every Sunday to church when I was growing up, and I think that music had an affect on me before my memory can recall.
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When I was about 15, I picked up the guitar and learned how to play by going through Beatles chords books. I got this Christmas gift with the entire Beatles catalog.
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I love the idea that I planned my career. I did not. It started out by getting invitations from artists that I really love and respect, to share a stage... I've been very lucky in that I haven't had to create a five-year plan. It's evolved.
M. Ward
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When you work on a record for three years, it's a great sense of relief when it is finally out in the world. It just feels good.
M. Ward
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I treat the act of making a record very much like working in a laboratory, experimenting with sounds and ideas. Whoever chooses to latch onto it, great whoever doesn't, that's fine, too. The reaction always pales in comparison to the weight of the act of production.
M. Ward
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It's no fun for me to cover a song and produce it the exact same way as it already exists. When I hear that happening, I have to say, 'What's the point?
M. Ward
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There's at least one fist bump every interview.
M. Ward
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It might be a meaningless moment, but those sparks that ignite the song.... It's mystical maybe, those magic moments. And to make music for a living, to perform these songs over and over, you have to safeguard those sparks. If you can do that, they'll last a lot longer.
M. Ward
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I do watch 'American Idol' sometimes. It's not really that pleasurable... I take that back. It is the epitome of a guilty pleasure. Sometimes there's some good singers on that show.
M. Ward
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Certain things you have to stumble on to. They can't be preprogrammed.
M. Ward
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In order to make a normal-sized record, a singer songwriter should have a couple dozen finished songs. Once they go through the process of production, the ones that scream out at you that they're finished are the ones that make the record.
M. Ward
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Even though someone has died, a piece of their spirit can still be alive. That's an exciting world for me to take music into, or to attempt to do that.
M. Ward
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I get most of my inspiration from older records. Most of the records that I listen to were probably made before I was born, and I was born in the mid-'70s. I don't know why, exactly, I'm drawn to those sounds.
M. Ward