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I get most of my inspiration from older records. Most of the records that I listen to were probably made before I was born, and I was born in the mid-'70s. I don't know why, exactly, I'm drawn to those sounds.

M. Ward

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M. Ward
Age: 51
Born: 1973
Born: October 4
Guitarist
Musician
Record Producer
Singer
Singer-Songwriter
Ventura County
California
Matthew Stephen Ward
Matt Ward
Born
Sounds
Made
Older
Exactly
Listen
Records
Inspiration
Probably
Sound
Drawn

More quotes by M. Ward

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The South of France is one of my favorite places in the world.
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I treat the act of making a record very much like working in a laboratory, experimenting with sounds and ideas. Whoever chooses to latch onto it, great whoever doesn't, that's fine, too. The reaction always pales in comparison to the weight of the act of production.
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I remember when I was 5 or 6 years old, gospel music felt familiar, like I had heard it in the womb or something. A lot of those old gospel songs still give me that feeling, that it's older than time and there's actually music that can tap into a universal subconscious, or whatever word you want to put on it.
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There's at least one fist bump every interview.
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I had the naive, simplistic idea that producers and writers and artists of the time helped in a minuscule way to change the mind-set of America.
M. Ward
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I went every Sunday to church when I was growing up, and I think that music had an affect on me before my memory can recall.
M. Ward
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Certain things you have to stumble on to. They can't be preprogrammed.
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In order to make a normal-sized record, a singer songwriter should have a couple dozen finished songs. Once they go through the process of production, the ones that scream out at you that they're finished are the ones that make the record.
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It's a hard thing to explain, but the more I arrange for strings, the more I realize the possibilities.
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When I first started making music, it was learning other peoples songs and putting them onto four-track. Like Beatles songs and stuff. When I started writing, I used the singing side of the production as a vehicle for melody and lyrical ideas.
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My philosophy for producing a record is for everyone involved, including myself, to get out of the way of the song, and at the same time, listen to it as closely as you can, and listen to where the song wants to go.
M. Ward
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I don't like the way recording to digital sounds.
M. Ward
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I love the idea that I planned my career. I did not. It started out by getting invitations from artists that I really love and respect, to share a stage... I've been very lucky in that I haven't had to create a five-year plan. It's evolved.
M. Ward
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My favorite recordings are the ones that feel like there were no middlemen in the creation. That's the biggest problem with most films and records being made today - too many people involved. I think it dilutes the artist's intent and inspiration.
M. Ward
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Even though someone has died, a piece of their spirit can still be alive. That's an exciting world for me to take music into, or to attempt to do that.
M. Ward
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I don't really watch TV series because I don't want to get hooked on them and have them suck up all my time.
M. Ward
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I'm somebody who gets a lot of inspiration from dreams.
M. Ward
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As a producer, I like to bring in unexpected voices, unexpected musicians, like Watt and Joey Spampinato of NRBQ.
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It might be a meaningless moment, but those sparks that ignite the song.... It's mystical maybe, those magic moments. And to make music for a living, to perform these songs over and over, you have to safeguard those sparks. If you can do that, they'll last a lot longer.
M. Ward
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From a very early age, I started to get really interested in how songs were put to tape. Not just listening to the songs, but the way the songs were recorded.
M. Ward