Quote

I love stage actors. The pool of world class actors that have done theater [is big], there's a higher opportunity of grabbing somebody from that pool.

M. Night Shyamalan

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M. Night Shyamalan
Age: 54
Born: 1970
Born: August 6
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Writer
Mayyazhi
Manoj Shyamalan
Manoj Nelliyattu Shyamalan and member on the jedi council
Opportunity
Grabbing
Bigs
Pool
Done
Theater
Love
Higher
World
Somebody
Stage
Class
Actors

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One of the reasons I really love low budget filmmaking is you don't have to think about that as much. You can have more fun and be more playful and be freer creatively.
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You don't want to watch classics with me 'cause I'm constantly writing notes.
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I'm from that world where I feel so comfortable making small independent movies.
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I'm super confident about creative stuff, and I'm really not confident about human interactions stuff.
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My philosophy is to make movies with the biggest possible budget that will allow it to be made in an independent fashion.
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The beauty is that we can blur film and TV a little bit more.
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People break down into two groups. When they experience something lucky, group number one sees it as more than luck, more than coincidence. They see it as a sign, evidence, that there is someone up there, watching out for them. Group number two sees it as just pure luck. Just a happy turn of chance.
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I find it very eerie when somebody is being really polite.
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This is the problem with being Indian. It's hard to be one of the family members. Everybody is white usually [in the movie].
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Movies will end up being this esoteric art form, where only singular people will put films out in a small group of theaters.
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The beauty of the world of Unbreakable is that you're playing it for reality. It should never feel like a comic book movie. It feels like a straight-up drama. It's real. You're confronting the possibility that comic book characters were based on people that were real.
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I love 'The Killing', I love 'Homeland' and 'Mad Men', all those shows that lean into the tone of things.
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When you say fear of the unknown, that is the definition of fear fear is the unknown, fear is what you do not know, and its genetically within us so that we feel safe. We feel scared of the woods because were not familiar with it, and that keeps you safe.
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You're never the same. You're degrading, or you're getting better. You don't stay the same.
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There are scenes that were right on the edge, but I always try to err on non-indulgence. It's something that I'm very careful about, that I'm just leaning too hard into something.
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Each of the actors need to have their justification for saying something awful. You want everyone to have a positive and negative thing. Even a positive thing needs to have darkness in it. It needs to have depth.
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I'm so consistent that my director's cuts are usually 20-25 minutes longer than the released version of the movies.
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The muscles that writers need for film are very different from TV muscles. Now, when I hire the writers and put the writers' room together, I know where their muscles need to be.
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