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That divide between the rich and poor is so crazy, because even white kids are suffering now.

M.I.A.

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M.I.A.
Age: 49
Born: 1975
Born: July 18
Activist
Actor
Composer
Fashion Designer
Model
Music Video Director
Musician
Painter
Photographer
Rapper
Record Producer
Singer-Songwriter
Ventura County
California
Mathangi Arulpragasam
Maya Arulpragasam
Crazy
Rich
Suffering
Poor
White
Kids
Even
Divide
Divides

More quotes by M.I.A.

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When I first came out, I was a film student and my mom sewed clothes. I was already doing a million things then, whatever it took to survive. If I had to braid someone's hair to get one pound for my lunch money, that's what I did. But I did it in the most creative way possible.
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Uncomfortable silences. Why do we feel it's necessary to yak about bullshit in order to be comfortable?
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I'm not sticking up for white kids - I'm going to have a barrage of hate mail - but it's true. If you're poor, you're really poor.
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That's what I miss, being a real human.
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What's wrong with hip-hop [is that] it became so one-dimensional it became like a businessman thing. It's run out of creativity. It went so far off about making money that now everyone can do it.
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Everything I think seems to be controversial, so I feel like I need to just go away for a second and put it all down on paper until the storm passes.
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I think people were genuinely addicted to hip hop in the 90s, addicted to the idea of empowerment. I think it came from [the fact that] the rappers in the 90s, their parents coming from the 70s, had such a rich variety of records to sample.
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My statements aren't incomplete, they're just in-progress. It's a debate and a discussion.
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It's the only thing to do when you're in London - hang out in a taxi.
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I fly like paper, get high like planes If you catch me at the border, I got visas in my name
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There's a bit of hope that a song can be about anything. If you want to write a song about anything, you can, and you don't have to put it through the process of having it be trendy or cool or generic pop or these types.
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You can't turn up at college in stilettos and say you're gonna be a filmmaker. In the college, they were teaching me avant-garde filmmaking, where I had to make films that were, like, an hour long about nothing. I just refused to do it.
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When mayors get together they probably have better conversations and have better notes to share about running different cities, and just do what suits. Basically, like when you combine all the religions and take the best bits, you should be able to combine all the cities and take the best bits, the information, the tried and tested things.
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I never pigeonholed myself - the only reason you'd want to pigeonhole is to monetize your business and, as a person, I don't see the importance of doing that. My music took off above the rest of those things: You can just make a song, put it on a CD, and get it out to all these people.
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In England right now you're not good enough until you get validated.
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If you narrow the playing field, the next generation has less to put out, to eat and regenerate from.
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I feel so terrible for the kids now. In London, even people in their forties can't afford to buy a house or have kids.
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Across the world, on your phone, everybody gets the same list of things to read, listen to, and watch.
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I feel like I'm living in the dead weeds of hip-hop. I live in the graveyard of what went wrong with hip-hop.
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Instead of going to war, we should put the money into arts and culture and let creative people define what Britain is.
M.I.A.