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I feel so terrible for the kids now. In London, even people in their forties can't afford to buy a house or have kids.
M.I.A.
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M.I.A.
Age: 49
Born: 1975
Born: July 18
Activist
Actor
Composer
Fashion Designer
Model
Music Video Director
Musician
Painter
Photographer
Rapper
Record Producer
Singer-Songwriter
Ventura County
California
Mathangi Arulpragasam
Maya Arulpragasam
Feel
Forties
Feels
Afford
Even
Forty
People
London
Terrible
House
Kids
More quotes by M.I.A.
If you narrow the playing field, the next generation has less to put out, to eat and regenerate from.
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I felt pissed off because I realized that you have to teach people in a clichéd way how to be happy-and happiness has become too one thing in American media. Achieving happiness is not really about having a flat stomach and the best car.
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Whoever's inside is inside whoever's out is out.
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Confidence takes constant nurturing, like a bed, it must be remade every day.
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In the beginning [of my career] I definitely felt a responsibility because I was representing a bunch of people [Sri lankans] who never got represented before. I felt this responsibility to correct that situation, to be like, Look, you can't discriminate against refugees and Muslim people and blah, blah, blah . . .
M.I.A.
I think I have to expand my creativity a bit, because it's difficult for critics to be, Oh, this person writes their own lyrics and sometimes writes their own beats and sometimes makes her own videos. They funnel me through, Oh, is it as good as blah-blah's record, which has had 50 million writers on it?
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I dont support terrorism and never have. As a Sri Lankan that fled war and bombings, my music is the voice of the civilian refugee.
M.I.A.
What really drives me mad about art is that, in America, the only thing you can do is to take it apart.
M.I.A.
We know that those huge U.S. brands do have political sway.
M.I.A.
If music's a political place, I'm out.
M.I.A.
I don't have a community like a black community to belong to [with] a musical platform that's been built for years and years and years, or the film-making culture, and I don't have the white one to belong to.
M.I.A.
I feel like I'm living in the dead weeds of hip-hop. I live in the graveyard of what went wrong with hip-hop.
M.I.A.
Besides, isn't it more exciting when you don't have permission?
M.I.A.
Everything I think seems to be controversial, so I feel like I need to just go away for a second and put it all down on paper until the storm passes.
M.I.A.
By the time it came to the 90s, the late 90s, being a businessman was the beacon to uphold. We've been having the concept of the best rapper equals the best businessman.
M.I.A.
The music industry was invented, like, 100 years ago. I'm talking about the goddess Matangi, who invented music 5,000 years ago. She was the only thing that inspired me.
M.I.A.
When I first came out, I was a film student and my mom sewed clothes. I was already doing a million things then, whatever it took to survive. If I had to braid someone's hair to get one pound for my lunch money, that's what I did. But I did it in the most creative way possible.
M.I.A.
When I came to England in '86, my first week of school was terrible because I would put my hand up to answer things, and no one would choose me because they couldn't say my name.
M.I.A.
I feel like a mirror reflecting back everyones perception of me.
M.I.A.
In England right now you're not good enough until you get validated.
M.I.A.