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When I came to England in '86, my first week of school was terrible because I would put my hand up to answer things, and no one would choose me because they couldn't say my name.
M.I.A.
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M.I.A.
Age: 49
Born: 1975
Born: July 18
Activist
Actor
Composer
Fashion Designer
Model
Music Video Director
Musician
Painter
Photographer
Rapper
Record Producer
Singer-Songwriter
Ventura County
California
Mathangi Arulpragasam
Maya Arulpragasam
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Hand
England
Came
Answer
Names
Couldn
Hands
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School
Terrible
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First
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Things
Name
More quotes by M.I.A.
If it's just politics that's running music, f - k that. I'm out of here! I can't think of anything more boring.
M.I.A.
In the beginning [of my career] I definitely felt a responsibility because I was representing a bunch of people [Sri lankans] who never got represented before. I felt this responsibility to correct that situation, to be like, Look, you can't discriminate against refugees and Muslim people and blah, blah, blah . . .
M.I.A.
I feel like a mirror reflecting back everyones perception of me.
M.I.A.
What's wrong with hip-hop [is that] it became so one-dimensional it became like a businessman thing. It's run out of creativity. It went so far off about making money that now everyone can do it.
M.I.A.
Instead of going to war, we should put the money into arts and culture and let creative people define what Britain is.
M.I.A.
I think people were genuinely addicted to hip hop in the 90s, addicted to the idea of empowerment. I think it came from [the fact that] the rappers in the 90s, their parents coming from the 70s, had such a rich variety of records to sample.
M.I.A.
I feel so terrible for the kids now. In London, even people in their forties can't afford to buy a house or have kids.
M.I.A.
That divide between the rich and poor is so crazy, because even white kids are suffering now.
M.I.A.
Whoever's inside is inside whoever's out is out.
M.I.A.
I dont support terrorism and never have. As a Sri Lankan that fled war and bombings, my music is the voice of the civilian refugee.
M.I.A.
It could be the sort of declining grip of the American MTV-nation culture-the fact that MTV doesn't play so much music anymore.
M.I.A.
Besides, isn't it more exciting when you don't have permission?
M.I.A.
I feel like I'm living in the dead weeds of hip-hop. I live in the graveyard of what went wrong with hip-hop.
M.I.A.
You can't turn up at college in stilettos and say you're gonna be a filmmaker. In the college, they were teaching me avant-garde filmmaking, where I had to make films that were, like, an hour long about nothing. I just refused to do it.
M.I.A.
I named my first album after my dad because I wanted to find him. My second album was named after my mom because I felt like I learned all my creative talents I learned from her.
M.I.A.
Across the world, on your phone, everybody gets the same list of things to read, listen to, and watch.
M.I.A.
I never pigeonholed myself - the only reason you'd want to pigeonhole is to monetize your business and, as a person, I don't see the importance of doing that. My music took off above the rest of those things: You can just make a song, put it on a CD, and get it out to all these people.
M.I.A.
I don't have a community like a black community to belong to [with] a musical platform that's been built for years and years and years, or the film-making culture, and I don't have the white one to belong to.
M.I.A.
I'm not sticking up for white kids - I'm going to have a barrage of hate mail - but it's true. If you're poor, you're really poor.
M.I.A.
With homogenized culture, even if you feel frustrated, you'd have to write a Taylor Swift song to get heard.
M.I.A.