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When I came to England in '86, my first week of school was terrible because I would put my hand up to answer things, and no one would choose me because they couldn't say my name.
M.I.A.
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M.I.A.
Age: 49
Born: 1975
Born: July 18
Activist
Actor
Composer
Fashion Designer
Model
Music Video Director
Musician
Painter
Photographer
Rapper
Record Producer
Singer-Songwriter
Ventura County
California
Mathangi Arulpragasam
Maya Arulpragasam
Hands
Choose
School
Terrible
Firsts
Week
First
Answers
Things
Name
Would
Hand
England
Came
Answer
Names
Couldn
More quotes by M.I.A.
By the time it came to the 90s, the late 90s, being a businessman was the beacon to uphold. We've been having the concept of the best rapper equals the best businessman.
M.I.A.
Instead of going to war, we should put the money into arts and culture and let creative people define what Britain is.
M.I.A.
That divide between the rich and poor is so crazy, because even white kids are suffering now.
M.I.A.
Everything I think seems to be controversial, so I feel like I need to just go away for a second and put it all down on paper until the storm passes.
M.I.A.
Across the world, on your phone, everybody gets the same list of things to read, listen to, and watch.
M.I.A.
In England right now you're not good enough until you get validated.
M.I.A.
Culturally, I found myself in a very weird situation: you were the person that had made that journey to the West, and then you were going back to comment on something, and then suddenly you were questioned and told, You can't touch that now because you're a pop star.
M.I.A.
Somebody told me that if you wake up every day and do stuff that's easy, then you're doing the wrong thing. If you wake up every day and do stuff that's really hard and you manage to get through to people, then you're doing the right thing. They might have just fooled me by telling me that, but it worked. I think that's my philosophy.
M.I.A.
Confidence takes constant nurturing, like a bed, it must be remade every day.
M.I.A.
I think people were genuinely addicted to hip hop in the 90s, addicted to the idea of empowerment. I think it came from [the fact that] the rappers in the 90s, their parents coming from the 70s, had such a rich variety of records to sample.
M.I.A.
That's what I miss, being a real human.
M.I.A.
What's wrong with hip-hop [is that] it became so one-dimensional it became like a businessman thing. It's run out of creativity. It went so far off about making money that now everyone can do it.
M.I.A.
I felt pissed off because I realized that you have to teach people in a clichéd way how to be happy-and happiness has become too one thing in American media. Achieving happiness is not really about having a flat stomach and the best car.
M.I.A.
It could be the sort of declining grip of the American MTV-nation culture-the fact that MTV doesn't play so much music anymore.
M.I.A.
I feel so terrible for the kids now. In London, even people in their forties can't afford to buy a house or have kids.
M.I.A.
Creativity needs time to harness before it goes out, and because that's difficult, memes have become the creative language.
M.I.A.
Besides, isn't it more exciting when you don't have permission?
M.I.A.
The music industry was invented, like, 100 years ago. I'm talking about the goddess Matangi, who invented music 5,000 years ago. She was the only thing that inspired me.
M.I.A.
When I first came out, I was a film student and my mom sewed clothes. I was already doing a million things then, whatever it took to survive. If I had to braid someone's hair to get one pound for my lunch money, that's what I did. But I did it in the most creative way possible.
M.I.A.
I don't have a community like a black community to belong to [with] a musical platform that's been built for years and years and years, or the film-making culture, and I don't have the white one to belong to.
M.I.A.
