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By the time it came to the 90s, the late 90s, being a businessman was the beacon to uphold. We've been having the concept of the best rapper equals the best businessman.
M.I.A.
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M.I.A.
Age: 49
Born: 1975
Born: July 18
Activist
Actor
Composer
Fashion Designer
Model
Music Video Director
Musician
Painter
Photographer
Rapper
Record Producer
Singer-Songwriter
Ventura County
California
Mathangi Arulpragasam
Maya Arulpragasam
Businessman
Rapper
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Concepts
Late
Beacon
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Best
Uphold
Time
Equals
More quotes by M.I.A.
I wanted to represent a different decade, and I wanted someone who goes back further than me. I go back the furthest on this thing, I never really noticed that before. I'm going to have to fix that or I'm going to look really old.
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I feel like a mirror reflecting back everyones perception of me.
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When mayors get together they probably have better conversations and have better notes to share about running different cities, and just do what suits. Basically, like when you combine all the religions and take the best bits, you should be able to combine all the cities and take the best bits, the information, the tried and tested things.
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Across the world, on your phone, everybody gets the same list of things to read, listen to, and watch.
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My statements aren't incomplete, they're just in-progress. It's a debate and a discussion.
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Confidence takes constant nurturing, like a bed, it must be remade every day.
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I feel so terrible for the kids now. In London, even people in their forties can't afford to buy a house or have kids.
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What's wrong with hip-hop [is that] it became so one-dimensional it became like a businessman thing. It's run out of creativity. It went so far off about making money that now everyone can do it.
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That's what I miss, being a real human.
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I don't have a community like a black community to belong to [with] a musical platform that's been built for years and years and years, or the film-making culture, and I don't have the white one to belong to.
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When I first came out, I was a film student and my mom sewed clothes. I was already doing a million things then, whatever it took to survive. If I had to braid someone's hair to get one pound for my lunch money, that's what I did. But I did it in the most creative way possible.
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Everything I think seems to be controversial, so I feel like I need to just go away for a second and put it all down on paper until the storm passes.
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Whoever's inside is inside whoever's out is out.
M.I.A.
We know that those huge U.S. brands do have political sway.
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That divide between the rich and poor is so crazy, because even white kids are suffering now.
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Culturally, I found myself in a very weird situation: you were the person that had made that journey to the West, and then you were going back to comment on something, and then suddenly you were questioned and told, You can't touch that now because you're a pop star.
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I think I have to expand my creativity a bit, because it's difficult for critics to be, Oh, this person writes their own lyrics and sometimes writes their own beats and sometimes makes her own videos. They funnel me through, Oh, is it as good as blah-blah's record, which has had 50 million writers on it?
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Instead of going to war, we should put the money into arts and culture and let creative people define what Britain is.
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In England right now you're not good enough until you get validated.
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There's a bit of hope that a song can be about anything. If you want to write a song about anything, you can, and you don't have to put it through the process of having it be trendy or cool or generic pop or these types.
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