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I think people were genuinely addicted to hip hop in the 90s, addicted to the idea of empowerment. I think it came from [the fact that] the rappers in the 90s, their parents coming from the 70s, had such a rich variety of records to sample.
M.I.A.
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M.I.A.
Age: 49
Born: 1975
Born: July 18
Activist
Actor
Composer
Fashion Designer
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Music Video Director
Musician
Painter
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Rapper
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Singer-Songwriter
Ventura County
California
Mathangi Arulpragasam
Maya Arulpragasam
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Hips
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Coming
Addicted
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Empowerment
More quotes by M.I.A.
I'm not sticking up for white kids - I'm going to have a barrage of hate mail - but it's true. If you're poor, you're really poor.
M.I.A.
I wanted to represent a different decade, and I wanted someone who goes back further than me. I go back the furthest on this thing, I never really noticed that before. I'm going to have to fix that or I'm going to look really old.
M.I.A.
In the beginning [of my career] I definitely felt a responsibility because I was representing a bunch of people [Sri lankans] who never got represented before. I felt this responsibility to correct that situation, to be like, Look, you can't discriminate against refugees and Muslim people and blah, blah, blah . . .
M.I.A.
When mayors get together they probably have better conversations and have better notes to share about running different cities, and just do what suits. Basically, like when you combine all the religions and take the best bits, you should be able to combine all the cities and take the best bits, the information, the tried and tested things.
M.I.A.
I never pigeonholed myself - the only reason you'd want to pigeonhole is to monetize your business and, as a person, I don't see the importance of doing that. My music took off above the rest of those things: You can just make a song, put it on a CD, and get it out to all these people.
M.I.A.
My statements aren't incomplete, they're just in-progress. It's a debate and a discussion.
M.I.A.
You have to constantly redefine who you are.
M.I.A.
I think I have to expand my creativity a bit, because it's difficult for critics to be, Oh, this person writes their own lyrics and sometimes writes their own beats and sometimes makes her own videos. They funnel me through, Oh, is it as good as blah-blah's record, which has had 50 million writers on it?
M.I.A.
I felt pissed off because I realized that you have to teach people in a clichéd way how to be happy-and happiness has become too one thing in American media. Achieving happiness is not really about having a flat stomach and the best car.
M.I.A.
Confidence takes constant nurturing, like a bed, it must be remade every day.
M.I.A.
When I came to England in '86, my first week of school was terrible because I would put my hand up to answer things, and no one would choose me because they couldn't say my name.
M.I.A.
It could be the sort of declining grip of the American MTV-nation culture-the fact that MTV doesn't play so much music anymore.
M.I.A.
I feel like I'm living in the dead weeds of hip-hop. I live in the graveyard of what went wrong with hip-hop.
M.I.A.
Instead of going to war, we should put the money into arts and culture and let creative people define what Britain is.
M.I.A.
If music's a political place, I'm out.
M.I.A.
Art is supposed to be about creativity. But the same people are the same art darlings every month, and it's a bit annoying. It's supposed to be diverse and interesting and conceptual and have weird concepts in a comfortable place.
M.I.A.
With homogenized culture, even if you feel frustrated, you'd have to write a Taylor Swift song to get heard.
M.I.A.
Everything I think seems to be controversial, so I feel like I need to just go away for a second and put it all down on paper until the storm passes.
M.I.A.
Besides, isn't it more exciting when you don't have permission?
M.I.A.
If you're talking about coexisting and tolerance then you have to live by example, and you can't have shiny people all the time everywhere, which is what breeds that sort of thinking - this is better than this, that is better than that.
M.I.A.