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I think people were genuinely addicted to hip hop in the 90s, addicted to the idea of empowerment. I think it came from [the fact that] the rappers in the 90s, their parents coming from the 70s, had such a rich variety of records to sample.
M.I.A.
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M.I.A.
Age: 49
Born: 1975
Born: July 18
Activist
Actor
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Fashion Designer
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Music Video Director
Musician
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Rapper
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Ventura County
California
Mathangi Arulpragasam
Maya Arulpragasam
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Rappers
More quotes by M.I.A.
I think I have to expand my creativity a bit, because it's difficult for critics to be, Oh, this person writes their own lyrics and sometimes writes their own beats and sometimes makes her own videos. They funnel me through, Oh, is it as good as blah-blah's record, which has had 50 million writers on it?
M.I.A.
I feel so terrible for the kids now. In London, even people in their forties can't afford to buy a house or have kids.
M.I.A.
Art is supposed to be about creativity. But the same people are the same art darlings every month, and it's a bit annoying. It's supposed to be diverse and interesting and conceptual and have weird concepts in a comfortable place.
M.I.A.
When I first came out, I was a film student and my mom sewed clothes. I was already doing a million things then, whatever it took to survive. If I had to braid someone's hair to get one pound for my lunch money, that's what I did. But I did it in the most creative way possible.
M.I.A.
We know that those huge U.S. brands do have political sway.
M.I.A.
The music industry was invented, like, 100 years ago. I'm talking about the goddess Matangi, who invented music 5,000 years ago. She was the only thing that inspired me.
M.I.A.
I named my first album after my dad because I wanted to find him. My second album was named after my mom because I felt like I learned all my creative talents I learned from her.
M.I.A.
I feel like I'm living in the dead weeds of hip-hop. I live in the graveyard of what went wrong with hip-hop.
M.I.A.
Confidence takes constant nurturing, like a bed, it must be remade every day.
M.I.A.
I never pigeonholed myself - the only reason you'd want to pigeonhole is to monetize your business and, as a person, I don't see the importance of doing that. My music took off above the rest of those things: You can just make a song, put it on a CD, and get it out to all these people.
M.I.A.
In the beginning [of my career] I definitely felt a responsibility because I was representing a bunch of people [Sri lankans] who never got represented before. I felt this responsibility to correct that situation, to be like, Look, you can't discriminate against refugees and Muslim people and blah, blah, blah . . .
M.I.A.
Culturally, I found myself in a very weird situation: you were the person that had made that journey to the West, and then you were going back to comment on something, and then suddenly you were questioned and told, You can't touch that now because you're a pop star.
M.I.A.
Nike is the uniform for kids all over the world, and African design has been killed by Nike. Africans no longer want to wear their own designs.
M.I.A.
I'm not sticking up for white kids - I'm going to have a barrage of hate mail - but it's true. If you're poor, you're really poor.
M.I.A.
What's wrong with hip-hop [is that] it became so one-dimensional it became like a businessman thing. It's run out of creativity. It went so far off about making money that now everyone can do it.
M.I.A.
It's the only thing to do when you're in London - hang out in a taxi.
M.I.A.
With homogenized culture, even if you feel frustrated, you'd have to write a Taylor Swift song to get heard.
M.I.A.
If you narrow the playing field, the next generation has less to put out, to eat and regenerate from.
M.I.A.
Whoever's inside is inside whoever's out is out.
M.I.A.
By the time it came to the 90s, the late 90s, being a businessman was the beacon to uphold. We've been having the concept of the best rapper equals the best businessman.
M.I.A.
