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You can't turn up at college in stilettos and say you're gonna be a filmmaker. In the college, they were teaching me avant-garde filmmaking, where I had to make films that were, like, an hour long about nothing. I just refused to do it.
M.I.A.
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M.I.A.
Age: 49
Born: 1975
Born: July 18
Activist
Actor
Composer
Fashion Designer
Model
Music Video Director
Musician
Painter
Photographer
Rapper
Record Producer
Singer-Songwriter
Ventura County
California
Mathangi Arulpragasam
Maya Arulpragasam
Film
Hour
Nothing
Gonna
Long
Films
Make
Teaching
Stilettos
Like
College
Garde
Turn
Avant
Hours
Refused
Turns
Filmmaker
More quotes by M.I.A.
I think people were genuinely addicted to hip hop in the 90s, addicted to the idea of empowerment. I think it came from [the fact that] the rappers in the 90s, their parents coming from the 70s, had such a rich variety of records to sample.
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What's wrong with hip-hop [is that] it became so one-dimensional it became like a businessman thing. It's run out of creativity. It went so far off about making money that now everyone can do it.
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If you're talking about coexisting and tolerance then you have to live by example, and you can't have shiny people all the time everywhere, which is what breeds that sort of thinking - this is better than this, that is better than that.
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Confidence takes constant nurturing, like a bed, it must be remade every day.
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I felt pissed off because I realized that you have to teach people in a clichéd way how to be happy-and happiness has become too one thing in American media. Achieving happiness is not really about having a flat stomach and the best car.
M.I.A.
Nike is the uniform for kids all over the world, and African design has been killed by Nike. Africans no longer want to wear their own designs.
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I don't have a community like a black community to belong to [with] a musical platform that's been built for years and years and years, or the film-making culture, and I don't have the white one to belong to.
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I feel so terrible for the kids now. In London, even people in their forties can't afford to buy a house or have kids.
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We know that those huge U.S. brands do have political sway.
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I dont support terrorism and never have. As a Sri Lankan that fled war and bombings, my music is the voice of the civilian refugee.
M.I.A.
When I first came out, I was a film student and my mom sewed clothes. I was already doing a million things then, whatever it took to survive. If I had to braid someone's hair to get one pound for my lunch money, that's what I did. But I did it in the most creative way possible.
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If it's just politics that's running music, f - k that. I'm out of here! I can't think of anything more boring.
M.I.A.
Uncomfortable silences. Why do we feel it's necessary to yak about bullshit in order to be comfortable?
M.I.A.
I fly like paper, get high like planes If you catch me at the border, I got visas in my name
M.I.A.
There's a bit of hope that a song can be about anything. If you want to write a song about anything, you can, and you don't have to put it through the process of having it be trendy or cool or generic pop or these types.
M.I.A.
When I came to England in '86, my first week of school was terrible because I would put my hand up to answer things, and no one would choose me because they couldn't say my name.
M.I.A.
I named my first album after my dad because I wanted to find him. My second album was named after my mom because I felt like I learned all my creative talents I learned from her.
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It could be the sort of declining grip of the American MTV-nation culture-the fact that MTV doesn't play so much music anymore.
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If you narrow the playing field, the next generation has less to put out, to eat and regenerate from.
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If music's a political place, I'm out.
M.I.A.