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You can't turn up at college in stilettos and say you're gonna be a filmmaker. In the college, they were teaching me avant-garde filmmaking, where I had to make films that were, like, an hour long about nothing. I just refused to do it.

M.I.A.

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M.I.A.
Age: 49
Born: 1975
Born: July 18
Activist
Actor
Composer
Fashion Designer
Model
Music Video Director
Musician
Painter
Photographer
Rapper
Record Producer
Singer-Songwriter
Ventura County
California
Mathangi Arulpragasam
Maya Arulpragasam
Hours
Refused
Turns
Filmmaker
Film
Hour
Nothing
Gonna
Long
Films
Make
Teaching
Stilettos
Like
College
Garde
Turn
Avant

More quotes by M.I.A.

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I think people were genuinely addicted to hip hop in the 90s, addicted to the idea of empowerment. I think it came from [the fact that] the rappers in the 90s, their parents coming from the 70s, had such a rich variety of records to sample.
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Art is supposed to be about creativity. But the same people are the same art darlings every month, and it's a bit annoying. It's supposed to be diverse and interesting and conceptual and have weird concepts in a comfortable place.
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In the beginning [of my career] I definitely felt a responsibility because I was representing a bunch of people [Sri lankans] who never got represented before. I felt this responsibility to correct that situation, to be like, Look, you can't discriminate against refugees and Muslim people and blah, blah, blah . . .
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I felt pissed off because I realized that you have to teach people in a clichéd way how to be happy-and happiness has become too one thing in American media. Achieving happiness is not really about having a flat stomach and the best car.
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You have to constantly redefine who you are.
M.I.A.
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When I came to England in '86, my first week of school was terrible because I would put my hand up to answer things, and no one would choose me because they couldn't say my name.
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I dont support terrorism and never have. As a Sri Lankan that fled war and bombings, my music is the voice of the civilian refugee.
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Instead of going to war, we should put the money into arts and culture and let creative people define what Britain is.
M.I.A.
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That divide between the rich and poor is so crazy, because even white kids are suffering now.
M.I.A.
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What really drives me mad about art is that, in America, the only thing you can do is to take it apart.
M.I.A.
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I'm not sticking up for white kids - I'm going to have a barrage of hate mail - but it's true. If you're poor, you're really poor.
M.I.A.
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I feel so terrible for the kids now. In London, even people in their forties can't afford to buy a house or have kids.
M.I.A.
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Whoever's inside is inside whoever's out is out.
M.I.A.
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Creativity needs time to harness before it goes out, and because that's difficult, memes have become the creative language.
M.I.A.
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If music's a political place, I'm out.
M.I.A.
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Everyone has that moment where they just rebel.
M.I.A.
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I think I have to expand my creativity a bit, because it's difficult for critics to be, Oh, this person writes their own lyrics and sometimes writes their own beats and sometimes makes her own videos. They funnel me through, Oh, is it as good as blah-blah's record, which has had 50 million writers on it?
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If you're talking about coexisting and tolerance then you have to live by example, and you can't have shiny people all the time everywhere, which is what breeds that sort of thinking - this is better than this, that is better than that.
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When I first came out, I was a film student and my mom sewed clothes. I was already doing a million things then, whatever it took to survive. If I had to braid someone's hair to get one pound for my lunch money, that's what I did. But I did it in the most creative way possible.
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When mayors get together they probably have better conversations and have better notes to share about running different cities, and just do what suits. Basically, like when you combine all the religions and take the best bits, you should be able to combine all the cities and take the best bits, the information, the tried and tested things.
M.I.A.