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What really drives me mad about art is that, in America, the only thing you can do is to take it apart.
M.I.A.
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M.I.A.
Age: 49
Born: 1975
Born: July 18
Activist
Actor
Composer
Fashion Designer
Model
Music Video Director
Musician
Painter
Photographer
Rapper
Record Producer
Singer-Songwriter
Ventura County
California
Mathangi Arulpragasam
Maya Arulpragasam
Apart
Art
America
Take
Thing
Really
Drives
Mad
More quotes by M.I.A.
Nike is the uniform for kids all over the world, and African design has been killed by Nike. Africans no longer want to wear their own designs.
M.I.A.
Instead of going to war, we should put the money into arts and culture and let creative people define what Britain is.
M.I.A.
The music industry was invented, like, 100 years ago. I'm talking about the goddess Matangi, who invented music 5,000 years ago. She was the only thing that inspired me.
M.I.A.
I felt pissed off because I realized that you have to teach people in a clichéd way how to be happy-and happiness has become too one thing in American media. Achieving happiness is not really about having a flat stomach and the best car.
M.I.A.
In the beginning [of my career] I definitely felt a responsibility because I was representing a bunch of people [Sri lankans] who never got represented before. I felt this responsibility to correct that situation, to be like, Look, you can't discriminate against refugees and Muslim people and blah, blah, blah . . .
M.I.A.
Culturally, I found myself in a very weird situation: you were the person that had made that journey to the West, and then you were going back to comment on something, and then suddenly you were questioned and told, You can't touch that now because you're a pop star.
M.I.A.
When I first came out, I was a film student and my mom sewed clothes. I was already doing a million things then, whatever it took to survive. If I had to braid someone's hair to get one pound for my lunch money, that's what I did. But I did it in the most creative way possible.
M.I.A.
I don't have a community like a black community to belong to [with] a musical platform that's been built for years and years and years, or the film-making culture, and I don't have the white one to belong to.
M.I.A.
In England right now you're not good enough until you get validated.
M.I.A.
I fly like paper, get high like planes If you catch me at the border, I got visas in my name
M.I.A.
By the time it came to the 90s, the late 90s, being a businessman was the beacon to uphold. We've been having the concept of the best rapper equals the best businessman.
M.I.A.
I think I have to expand my creativity a bit, because it's difficult for critics to be, Oh, this person writes their own lyrics and sometimes writes their own beats and sometimes makes her own videos. They funnel me through, Oh, is it as good as blah-blah's record, which has had 50 million writers on it?
M.I.A.
I think people were genuinely addicted to hip hop in the 90s, addicted to the idea of empowerment. I think it came from [the fact that] the rappers in the 90s, their parents coming from the 70s, had such a rich variety of records to sample.
M.I.A.
It's the only thing to do when you're in London - hang out in a taxi.
M.I.A.
My statements aren't incomplete, they're just in-progress. It's a debate and a discussion.
M.I.A.
I named my first album after my dad because I wanted to find him. My second album was named after my mom because I felt like I learned all my creative talents I learned from her.
M.I.A.
With homogenized culture, even if you feel frustrated, you'd have to write a Taylor Swift song to get heard.
M.I.A.
Art is supposed to be about creativity. But the same people are the same art darlings every month, and it's a bit annoying. It's supposed to be diverse and interesting and conceptual and have weird concepts in a comfortable place.
M.I.A.
Everyone has that moment where they just rebel.
M.I.A.
It could be the sort of declining grip of the American MTV-nation culture-the fact that MTV doesn't play so much music anymore.
M.I.A.
