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You have to constantly redefine who you are.
M.I.A.
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M.I.A.
Age: 49
Born: 1975
Born: July 18
Activist
Actor
Composer
Fashion Designer
Model
Music Video Director
Musician
Painter
Photographer
Rapper
Record Producer
Singer-Songwriter
Ventura County
California
Mathangi Arulpragasam
Maya Arulpragasam
Redefine
Constantly
More quotes by M.I.A.
I felt pissed off because I realized that you have to teach people in a clichéd way how to be happy-and happiness has become too one thing in American media. Achieving happiness is not really about having a flat stomach and the best car.
M.I.A.
Besides, isn't it more exciting when you don't have permission?
M.I.A.
We know that those huge U.S. brands do have political sway.
M.I.A.
Everything I think seems to be controversial, so I feel like I need to just go away for a second and put it all down on paper until the storm passes.
M.I.A.
Somebody told me that if you wake up every day and do stuff that's easy, then you're doing the wrong thing. If you wake up every day and do stuff that's really hard and you manage to get through to people, then you're doing the right thing. They might have just fooled me by telling me that, but it worked. I think that's my philosophy.
M.I.A.
It could be the sort of declining grip of the American MTV-nation culture-the fact that MTV doesn't play so much music anymore.
M.I.A.
I think people were genuinely addicted to hip hop in the 90s, addicted to the idea of empowerment. I think it came from [the fact that] the rappers in the 90s, their parents coming from the 70s, had such a rich variety of records to sample.
M.I.A.
With homogenized culture, even if you feel frustrated, you'd have to write a Taylor Swift song to get heard.
M.I.A.
Whoever's inside is inside whoever's out is out.
M.I.A.
You can't turn up at college in stilettos and say you're gonna be a filmmaker. In the college, they were teaching me avant-garde filmmaking, where I had to make films that were, like, an hour long about nothing. I just refused to do it.
M.I.A.
It's the only thing to do when you're in London - hang out in a taxi.
M.I.A.
What's wrong with hip-hop [is that] it became so one-dimensional it became like a businessman thing. It's run out of creativity. It went so far off about making money that now everyone can do it.
M.I.A.
Culturally, I found myself in a very weird situation: you were the person that had made that journey to the West, and then you were going back to comment on something, and then suddenly you were questioned and told, You can't touch that now because you're a pop star.
M.I.A.
There's a bit of hope that a song can be about anything. If you want to write a song about anything, you can, and you don't have to put it through the process of having it be trendy or cool or generic pop or these types.
M.I.A.
I wanted to represent a different decade, and I wanted someone who goes back further than me. I go back the furthest on this thing, I never really noticed that before. I'm going to have to fix that or I'm going to look really old.
M.I.A.
When I came to England in '86, my first week of school was terrible because I would put my hand up to answer things, and no one would choose me because they couldn't say my name.
M.I.A.
That's what I miss, being a real human.
M.I.A.
I think I have to expand my creativity a bit, because it's difficult for critics to be, Oh, this person writes their own lyrics and sometimes writes their own beats and sometimes makes her own videos. They funnel me through, Oh, is it as good as blah-blah's record, which has had 50 million writers on it?
M.I.A.
Instead of going to war, we should put the money into arts and culture and let creative people define what Britain is.
M.I.A.
My statements aren't incomplete, they're just in-progress. It's a debate and a discussion.
M.I.A.
