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I fly like paper, get high like planes If you catch me at the border, I got visas in my name
M.I.A.
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M.I.A.
Age: 49
Born: 1975
Born: July 18
Activist
Actor
Composer
Fashion Designer
Model
Music Video Director
Musician
Painter
Photographer
Rapper
Record Producer
Singer-Songwriter
Ventura County
California
Mathangi Arulpragasam
Maya Arulpragasam
Paper
Name
Names
Visas
High
Visa
Like
Border
Planes
Borders
Catch
More quotes by M.I.A.
It could be the sort of declining grip of the American MTV-nation culture-the fact that MTV doesn't play so much music anymore.
M.I.A.
Art is supposed to be about creativity. But the same people are the same art darlings every month, and it's a bit annoying. It's supposed to be diverse and interesting and conceptual and have weird concepts in a comfortable place.
M.I.A.
I don't have a community like a black community to belong to [with] a musical platform that's been built for years and years and years, or the film-making culture, and I don't have the white one to belong to.
M.I.A.
Confidence takes constant nurturing, like a bed, it must be remade every day.
M.I.A.
Uncomfortable silences. Why do we feel it's necessary to yak about bullshit in order to be comfortable?
M.I.A.
I feel like I'm living in the dead weeds of hip-hop. I live in the graveyard of what went wrong with hip-hop.
M.I.A.
We know that those huge U.S. brands do have political sway.
M.I.A.
Somebody told me that if you wake up every day and do stuff that's easy, then you're doing the wrong thing. If you wake up every day and do stuff that's really hard and you manage to get through to people, then you're doing the right thing. They might have just fooled me by telling me that, but it worked. I think that's my philosophy.
M.I.A.
Across the world, on your phone, everybody gets the same list of things to read, listen to, and watch.
M.I.A.
Everyone has that moment where they just rebel.
M.I.A.
I feel so terrible for the kids now. In London, even people in their forties can't afford to buy a house or have kids.
M.I.A.
If you're talking about coexisting and tolerance then you have to live by example, and you can't have shiny people all the time everywhere, which is what breeds that sort of thinking - this is better than this, that is better than that.
M.I.A.
When I first came out, I was a film student and my mom sewed clothes. I was already doing a million things then, whatever it took to survive. If I had to braid someone's hair to get one pound for my lunch money, that's what I did. But I did it in the most creative way possible.
M.I.A.
What really drives me mad about art is that, in America, the only thing you can do is to take it apart.
M.I.A.
When mayors get together they probably have better conversations and have better notes to share about running different cities, and just do what suits. Basically, like when you combine all the religions and take the best bits, you should be able to combine all the cities and take the best bits, the information, the tried and tested things.
M.I.A.
In the beginning [of my career] I definitely felt a responsibility because I was representing a bunch of people [Sri lankans] who never got represented before. I felt this responsibility to correct that situation, to be like, Look, you can't discriminate against refugees and Muslim people and blah, blah, blah . . .
M.I.A.
I think people were genuinely addicted to hip hop in the 90s, addicted to the idea of empowerment. I think it came from [the fact that] the rappers in the 90s, their parents coming from the 70s, had such a rich variety of records to sample.
M.I.A.
Whoever's inside is inside whoever's out is out.
M.I.A.
When I came to England in '86, my first week of school was terrible because I would put my hand up to answer things, and no one would choose me because they couldn't say my name.
M.I.A.
That divide between the rich and poor is so crazy, because even white kids are suffering now.
M.I.A.
