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I fly like paper, get high like planes If you catch me at the border, I got visas in my name
M.I.A.
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M.I.A.
Age: 49
Born: 1975
Born: July 18
Activist
Actor
Composer
Fashion Designer
Model
Music Video Director
Musician
Painter
Photographer
Rapper
Record Producer
Singer-Songwriter
Ventura County
California
Mathangi Arulpragasam
Maya Arulpragasam
High
Visa
Like
Border
Planes
Borders
Catch
Paper
Name
Names
Visas
More quotes by M.I.A.
It's the only thing to do when you're in London - hang out in a taxi.
M.I.A.
Whoever's inside is inside whoever's out is out.
M.I.A.
In England right now you're not good enough until you get validated.
M.I.A.
If music's a political place, I'm out.
M.I.A.
I think I have to expand my creativity a bit, because it's difficult for critics to be, Oh, this person writes their own lyrics and sometimes writes their own beats and sometimes makes her own videos. They funnel me through, Oh, is it as good as blah-blah's record, which has had 50 million writers on it?
M.I.A.
When I first came out, I was a film student and my mom sewed clothes. I was already doing a million things then, whatever it took to survive. If I had to braid someone's hair to get one pound for my lunch money, that's what I did. But I did it in the most creative way possible.
M.I.A.
By the time it came to the 90s, the late 90s, being a businessman was the beacon to uphold. We've been having the concept of the best rapper equals the best businessman.
M.I.A.
There's a bit of hope that a song can be about anything. If you want to write a song about anything, you can, and you don't have to put it through the process of having it be trendy or cool or generic pop or these types.
M.I.A.
Everything I think seems to be controversial, so I feel like I need to just go away for a second and put it all down on paper until the storm passes.
M.I.A.
You can't turn up at college in stilettos and say you're gonna be a filmmaker. In the college, they were teaching me avant-garde filmmaking, where I had to make films that were, like, an hour long about nothing. I just refused to do it.
M.I.A.
That's what I miss, being a real human.
M.I.A.
Uncomfortable silences. Why do we feel it's necessary to yak about bullshit in order to be comfortable?
M.I.A.
I never pigeonholed myself - the only reason you'd want to pigeonhole is to monetize your business and, as a person, I don't see the importance of doing that. My music took off above the rest of those things: You can just make a song, put it on a CD, and get it out to all these people.
M.I.A.
I named my first album after my dad because I wanted to find him. My second album was named after my mom because I felt like I learned all my creative talents I learned from her.
M.I.A.
I dont support terrorism and never have. As a Sri Lankan that fled war and bombings, my music is the voice of the civilian refugee.
M.I.A.
You have to constantly redefine who you are.
M.I.A.
In the beginning [of my career] I definitely felt a responsibility because I was representing a bunch of people [Sri lankans] who never got represented before. I felt this responsibility to correct that situation, to be like, Look, you can't discriminate against refugees and Muslim people and blah, blah, blah . . .
M.I.A.
Culturally, I found myself in a very weird situation: you were the person that had made that journey to the West, and then you were going back to comment on something, and then suddenly you were questioned and told, You can't touch that now because you're a pop star.
M.I.A.
If you're talking about coexisting and tolerance then you have to live by example, and you can't have shiny people all the time everywhere, which is what breeds that sort of thinking - this is better than this, that is better than that.
M.I.A.
Besides, isn't it more exciting when you don't have permission?
M.I.A.
