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I still do believe that form and content are very much related. I think throwing away some of the rule books on that is a good thing.
Lynne Tillman
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Lynne Tillman
Age: 77
Born: 1947
Born: January 1
Novelist
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Much
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Believe
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More quotes by Lynne Tillman
It's true you have to screen out a lot living in the city. I stayed away from New York for a long time after college, and when I was first back, I'd read The Village Voice and feel like I was having a panic attack.
Lynne Tillman
I'm the author of my own misery.
Lynne Tillman
As a reader myself, which precedes my being a writer, of course, I read in order to enter another world.
Lynne Tillman
I subject my sentences and the words to a kind of Grand Inquisition.
Lynne Tillman
Whatever the style is, I want to have a sense that the writer is thinking, and really trying to get at something, and that there's a sense of discovery as the writing goes along.
Lynne Tillman
I'm trying always to leave out what I think is extraneous. And to find what I think is the most wonderful language to make a beautiful sentence.
Lynne Tillman
I don't have the education of an art historian. I've certainly read about art and look at art and have educated myself to some extent. But I'm not a skilled or thorough art historian and I wouldn't call myself an art critic.
Lynne Tillman
Obviously the Internet makes everything easier - you get people's addresses and so on and everything seems much more accessible.
Lynne Tillman
I don't think anybody says to Coetzee or Dostoyevsky or Kafka, Your characters aren't likeable. It's not about your character winning a popularity contest. That's not the writer's job.
Lynne Tillman
I do think we think repetitively. It's so hard to get certain thoughts out of your head. If you're angry at a friend, you're going to keep going back to that conversation.
Lynne Tillman
Now that I'm an older woman, I'm so much more aware of the changes - almost too aware. I feel sorry for being so dismissive. You have to think about what you're thinking about and realize that you're thinking it.
Lynne Tillman
You could say this word is better to use than that word, this sentence is good and that sentence isn't. But you don't determine the value of your work for other people.
Lynne Tillman
I learned I could be miserable anywhere in the world. I learned I really was an American.
Lynne Tillman
When something in a sequence is edited, if you repeat an image, but in a different place, the effect is different. Because the brain is remembering, and the different juxtaposition triggers other memories, thoughts, ideas, and so on.
Lynne Tillman
When you free women so they can choose to have or not to have, or to conceive - that's something that, for millennia, women couldn't do. Biology was, in many ways, destiny. We wouldn't be talking about gender if women could not control their pregnancies.
Lynne Tillman
Do the obvious, you won't forget it. Do the obvious, you won't regret it. Obvious, obvious, obvious.
Lynne Tillman
I'm not interested in safety. A great risk in writing is imagining you have something to protect. Playing it safe to placate someone or something. People talk about compromise, but often people don't even know when they're compromising, because they're not conscious of contradictions.
Lynne Tillman
I think the slowness of exchange is over, and the idea of waiting for a response - that's gone. People don't want to wait. It's all this instantaneity. That's fine. But it also makes writing different, if you're writing for an instant exchange compared with being able to have time for more reflection.
Lynne Tillman
[Reality] isn't simply the so-called world that you're in. Your reality is a much larger one that takes in all matter of identification and desires and hopes.
Lynne Tillman
Any writer knows that what's left out is as essential, if not more so, than what's there. Unlearning works that way.
Lynne Tillman