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I still do believe that form and content are very much related. I think throwing away some of the rule books on that is a good thing.

Lynne Tillman

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Lynne Tillman
Age: 77
Born: 1947
Born: January 1
Novelist
Writer
Much
Content
Believe
Rule
Books
Good
Away
Think
Form
Thinking
Still
Book
Throwing
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More quotes by Lynne Tillman

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I learned I could be miserable anywhere in the world. I learned I really was an American.
Lynne Tillman
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Obviously the Internet makes everything easier - you get people's addresses and so on and everything seems much more accessible.
Lynne Tillman
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I think many writers really believe that being published is a traumatic experience.
Lynne Tillman
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I don't think anybody says to Coetzee or Dostoyevsky or Kafka, Your characters aren't likeable. It's not about your character winning a popularity contest. That's not the writer's job.
Lynne Tillman
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When you free women so they can choose to have or not to have, or to conceive - that's something that, for millennia, women couldn't do. Biology was, in many ways, destiny. We wouldn't be talking about gender if women could not control their pregnancies.
Lynne Tillman
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Kafka wrote the great line: my education has damaged me in ways I do not even know. And that's always been a signature motto for me.
Lynne Tillman
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I think it's true that unless human beings experience something, they simply don't understand what people are going through.
Lynne Tillman
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You have to create the space for the possibility of people speaking as they do. If writing is supposed to lead us in any way or educate or suggest other ways of being, it can't do so by simply reflecting what's considered to be realistic.
Lynne Tillman
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People in the upper classes can just as easily be indifferent to their own body, or treat themselves as badly, as people who don't have the money. There are always differences among differences.
Lynne Tillman
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I'm not interested in safety. A great risk in writing is imagining you have something to protect. Playing it safe to placate someone or something. People talk about compromise, but often people don't even know when they're compromising, because they're not conscious of contradictions.
Lynne Tillman
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I think it's very hard to reconcile oneself to the notion that it may not matter what you think if you still want to write.
Lynne Tillman
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I like to invent the dialogue that I want to have heard.
Lynne Tillman
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Now that I am conscious of the world of chronic pain, when I see somebody walking down the street who's having trouble, I feel a sadness for them. I notice.
Lynne Tillman
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Whatever the style is, I want to have a sense that the writer is thinking, and really trying to get at something, and that there's a sense of discovery as the writing goes along.
Lynne Tillman
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In depression, you're flattened. Your energy level is gone. When I'm anxious, I tend to have more energy. But it depends on the nature of the anxiety. The anxiety to finish something would seem to be more productive than the anxiety that says, You're feeling sick.
Lynne Tillman
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A friend of mine, a poet, Rebecca Wolff recently said to me, You know, your stories are really voice-driven, and I guess I knew that already, but it's so true that I can't get something going unless I can hear the voice.
Lynne Tillman
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Certainly there will always be stories.
Lynne Tillman
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I'm the author of my own misery.
Lynne Tillman
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Conversation on the page should reflect what the story is about. It doesn't have to be realistic in the sense that it's something you heard and plugged into a story.
Lynne Tillman
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You could say this word is better to use than that word, this sentence is good and that sentence isn't. But you don't determine the value of your work for other people.
Lynne Tillman