Quote

I'm not interested in safety. A great risk in writing is imagining you have something to protect. Playing it safe to placate someone or something. People talk about compromise, but often people don't even know when they're compromising, because they're not conscious of contradictions.

Lynne Tillman

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Lynne Tillman
Age: 77
Born: 1947
Born: January 1
Novelist
Writer
Writing
Protect
Compromising
Even
Safe
Contradictions
Something
Risk
Imagining
People
Playing
Contradiction
Talk
Compromise
Often
Safety
Someone
Conscious
Great
Interested
Placate

More quotes by Lynne Tillman

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I subject my sentences and the words to a kind of Grand Inquisition.
Lynne Tillman
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You can think everything is dire, but you act as if there's possibility. I see children coming into the world as an expression of this. Sometimes, not always - it can just be somebody that wasn't on the birth control pill or didn't have access to abortion. But I usually see a wanted child as a sign of optimism, and I like that.
Lynne Tillman
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I do think we think repetitively. It's so hard to get certain thoughts out of your head. If you're angry at a friend, you're going to keep going back to that conversation.
Lynne Tillman
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A friend of mine, a poet, Rebecca Wolff recently said to me, You know, your stories are really voice-driven, and I guess I knew that already, but it's so true that I can't get something going unless I can hear the voice.
Lynne Tillman
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I think some people are not interesting to themselves. They're the sad, resigned folk. When people call themselves ordinary - I'm just an ordinary person - you do wonder what they mean, because people who call themselves ordinary occasionally turn out to be serial killers. Beware of those who say they're ordinary.
Lynne Tillman
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Kafka wrote the great line: my education has damaged me in ways I do not even know. And that's always been a signature motto for me.
Lynne Tillman
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People are less focused on the story, and more on how the story is told.
Lynne Tillman
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You could say this word is better to use than that word, this sentence is good and that sentence isn't. But you don't determine the value of your work for other people.
Lynne Tillman
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Obviously the Internet makes everything easier - you get people's addresses and so on and everything seems much more accessible.
Lynne Tillman
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There are lots of unlikable characters in literature. It doesn't mean they're not fascinating.
Lynne Tillman
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Desire is a word I'm tired of. I've been living with that word for years. Yes, of course, we're all desiring machines. I have sometimes wondered what people would want, if there were no advertising. And death, what other subject is there? It's the subject. It's our subject. It's the great human dilemma, that we die and know we will.
Lynne Tillman
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I think the slowness of exchange is over, and the idea of waiting for a response - that's gone. People don't want to wait. It's all this instantaneity. That's fine. But it also makes writing different, if you're writing for an instant exchange compared with being able to have time for more reflection.
Lynne Tillman
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I like to invent the dialogue that I want to have heard.
Lynne Tillman
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I don't have the education of an art historian. I've certainly read about art and look at art and have educated myself to some extent. But I'm not a skilled or thorough art historian and I wouldn't call myself an art critic.
Lynne Tillman
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Whatever the style is, I want to have a sense that the writer is thinking, and really trying to get at something, and that there's a sense of discovery as the writing goes along.
Lynne Tillman
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I think it's very hard to reconcile oneself to the notion that it may not matter what you think if you still want to write.
Lynne Tillman
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When you free women so they can choose to have or not to have, or to conceive - that's something that, for millennia, women couldn't do. Biology was, in many ways, destiny. We wouldn't be talking about gender if women could not control their pregnancies.
Lynne Tillman
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Reading gave me great comfort and pleasure. When I started being able to write, around seven or eight, I wanted to be able to do that myself, to create that other world.
Lynne Tillman
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Now that I am conscious of the world of chronic pain, when I see somebody walking down the street who's having trouble, I feel a sadness for them. I notice.
Lynne Tillman
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When something in a sequence is edited, if you repeat an image, but in a different place, the effect is different. Because the brain is remembering, and the different juxtaposition triggers other memories, thoughts, ideas, and so on.
Lynne Tillman