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Kafka wrote the great line: my education has damaged me in ways I do not even know. And that's always been a signature motto for me.
Lynne Tillman
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Lynne Tillman
Age: 77
Born: 1947
Born: January 1
Novelist
Writer
Motto
Wrote
Line
Ways
Education
Great
Kafka
Even
Signature
Always
Damaged
More quotes by Lynne Tillman
There are lots of unlikable characters in literature. It doesn't mean they're not fascinating.
Lynne Tillman
I subject my sentences and the words to a kind of Grand Inquisition.
Lynne Tillman
As a reader myself, which precedes my being a writer, of course, I read in order to enter another world.
Lynne Tillman
The Dutch and the English, former competitors for world dominance, taught me the wisdom of waiting as well as withholding.
Lynne Tillman
I do think we think repetitively. It's so hard to get certain thoughts out of your head. If you're angry at a friend, you're going to keep going back to that conversation.
Lynne Tillman
Now that I'm an older woman, I'm so much more aware of the changes - almost too aware. I feel sorry for being so dismissive. You have to think about what you're thinking about and realize that you're thinking it.
Lynne Tillman
I'm very interested in animal behavior, and the relationship of human beings to other animal behavior.
Lynne Tillman
Do the obvious, you won't forget it. Do the obvious, you won't regret it. Obvious, obvious, obvious.
Lynne Tillman
I learned I could be miserable anywhere in the world. I learned I really was an American.
Lynne Tillman
That's why our comics are important: they're pointing things out and laughing at the same time. There have been horrible, horrible times in history. They're mostly horrible times. But not to laugh? Not to find humor in something like dark optimism/bright pessimism - I think that's sad, frankly.
Lynne Tillman
[Reality] isn't simply the so-called world that you're in. Your reality is a much larger one that takes in all matter of identification and desires and hopes.
Lynne Tillman
Reading gave me great comfort and pleasure. When I started being able to write, around seven or eight, I wanted to be able to do that myself, to create that other world.
Lynne Tillman
I think the major device for me is that narrator's voice. I'm always trying to find a different kind of form to tell whatever story it is, and I wish that weren't so, because it drives me crazy.
Lynne Tillman
It's true you have to screen out a lot living in the city. I stayed away from New York for a long time after college, and when I was first back, I'd read The Village Voice and feel like I was having a panic attack.
Lynne Tillman
Conversation on the page should reflect what the story is about. It doesn't have to be realistic in the sense that it's something you heard and plugged into a story.
Lynne Tillman
I think the slowness of exchange is over, and the idea of waiting for a response - that's gone. People don't want to wait. It's all this instantaneity. That's fine. But it also makes writing different, if you're writing for an instant exchange compared with being able to have time for more reflection.
Lynne Tillman
I'm trying always to leave out what I think is extraneous. And to find what I think is the most wonderful language to make a beautiful sentence.
Lynne Tillman
When something in a sequence is edited, if you repeat an image, but in a different place, the effect is different. Because the brain is remembering, and the different juxtaposition triggers other memories, thoughts, ideas, and so on.
Lynne Tillman
I'm the author of my own misery.
Lynne Tillman
Whatever the style is, I want to have a sense that the writer is thinking, and really trying to get at something, and that there's a sense of discovery as the writing goes along.
Lynne Tillman