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I think the major device for me is that narrator's voice. I'm always trying to find a different kind of form to tell whatever story it is, and I wish that weren't so, because it drives me crazy.
Lynne Tillman
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Lynne Tillman
Age: 77
Born: 1947
Born: January 1
Novelist
Writer
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Different
Crazy
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Always
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Thinking
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More quotes by Lynne Tillman
Laughing and crying are very similar. Sometimes people go from laughing to crying, or crying to laughing. I remember being at someone's wedding and she couldn't stop laughing, through the whole ceremony. If she'd been crying, it would have seemed more normal, though.
Lynne Tillman
Now that I'm an older woman, I'm so much more aware of the changes - almost too aware. I feel sorry for being so dismissive. You have to think about what you're thinking about and realize that you're thinking it.
Lynne Tillman
My friends and I sometimes laugh at each other that there is so much maintenance of a body. I paid no attention when I was younger.
Lynne Tillman
I'm trying always to leave out what I think is extraneous. And to find what I think is the most wonderful language to make a beautiful sentence.
Lynne Tillman
It's easy, at this point in my life, very easy to write a beautiful sentence that's meaningless. A lot of writers do that. But I don't want it to be meaningless. I want it to actually say what I want it to say, and so I'm thinking about it again and again and again.
Lynne Tillman
In a practical sense, pain kept me from sitting down as much, so that sometimes I would have to stand to write. Not that I would necessarily have gotten anywhere anyway. But it definitely set me back to be in so much pain.
Lynne Tillman
Reading gave me great comfort and pleasure. When I started being able to write, around seven or eight, I wanted to be able to do that myself, to create that other world.
Lynne Tillman
Desire is a word I'm tired of. I've been living with that word for years. Yes, of course, we're all desiring machines. I have sometimes wondered what people would want, if there were no advertising. And death, what other subject is there? It's the subject. It's our subject. It's the great human dilemma, that we die and know we will.
Lynne Tillman
I'm not interested in safety. A great risk in writing is imagining you have something to protect. Playing it safe to placate someone or something. People talk about compromise, but often people don't even know when they're compromising, because they're not conscious of contradictions.
Lynne Tillman
I think the slowness of exchange is over, and the idea of waiting for a response - that's gone. People don't want to wait. It's all this instantaneity. That's fine. But it also makes writing different, if you're writing for an instant exchange compared with being able to have time for more reflection.
Lynne Tillman
Now that I am conscious of the world of chronic pain, when I see somebody walking down the street who's having trouble, I feel a sadness for them. I notice.
Lynne Tillman
Being in Europe had helped me unlearn some of what I'd been taught or unconsciously believed.
Lynne Tillman
You could say this word is better to use than that word, this sentence is good and that sentence isn't. But you don't determine the value of your work for other people.
Lynne Tillman
[Reality] isn't simply the so-called world that you're in. Your reality is a much larger one that takes in all matter of identification and desires and hopes.
Lynne Tillman
I think it's true that unless human beings experience something, they simply don't understand what people are going through.
Lynne Tillman
I think some people are not interesting to themselves. They're the sad, resigned folk. When people call themselves ordinary - I'm just an ordinary person - you do wonder what they mean, because people who call themselves ordinary occasionally turn out to be serial killers. Beware of those who say they're ordinary.
Lynne Tillman
Kafka wrote the great line: my education has damaged me in ways I do not even know. And that's always been a signature motto for me.
Lynne Tillman
I'd studied English literature and American history, but the English literature, which I thought was going to be helpful to me in an immediate way, was the opposite. So I had to un-think a lot of things and move out of my own head, and I learned a lot. It was like graduate school, but an un-graduate school or an un-school.
Lynne Tillman
Whatever the style is, I want to have a sense that the writer is thinking, and really trying to get at something, and that there's a sense of discovery as the writing goes along.
Lynne Tillman
Obviously the Internet makes everything easier - you get people's addresses and so on and everything seems much more accessible.
Lynne Tillman