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It's easy, at this point in my life, very easy to write a beautiful sentence that's meaningless. A lot of writers do that. But I don't want it to be meaningless. I want it to actually say what I want it to say, and so I'm thinking about it again and again and again.

Lynne Tillman

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Lynne Tillman
Age: 77
Born: 1947
Born: January 1
Novelist
Writer
Actually
Easy
Write
Beautiful
Sentence
Writing
Meaningless
Thinking
Sentences
Life
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More quotes by Lynne Tillman

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You can think everything is dire, but you act as if there's possibility. I see children coming into the world as an expression of this. Sometimes, not always - it can just be somebody that wasn't on the birth control pill or didn't have access to abortion. But I usually see a wanted child as a sign of optimism, and I like that.
Lynne Tillman
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I think it's very hard to reconcile oneself to the notion that it may not matter what you think if you still want to write.
Lynne Tillman
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When something in a sequence is edited, if you repeat an image, but in a different place, the effect is different. Because the brain is remembering, and the different juxtaposition triggers other memories, thoughts, ideas, and so on.
Lynne Tillman
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There are lots of unlikable characters in literature. It doesn't mean they're not fascinating.
Lynne Tillman
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Laughing and crying are very similar. Sometimes people go from laughing to crying, or crying to laughing. I remember being at someone's wedding and she couldn't stop laughing, through the whole ceremony. If she'd been crying, it would have seemed more normal, though.
Lynne Tillman
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That's why our comics are important: they're pointing things out and laughing at the same time. There have been horrible, horrible times in history. They're mostly horrible times. But not to laugh? Not to find humor in something like dark optimism/bright pessimism - I think that's sad, frankly.
Lynne Tillman
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I don't have the education of an art historian. I've certainly read about art and look at art and have educated myself to some extent. But I'm not a skilled or thorough art historian and I wouldn't call myself an art critic.
Lynne Tillman
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I think the slowness of exchange is over, and the idea of waiting for a response - that's gone. People don't want to wait. It's all this instantaneity. That's fine. But it also makes writing different, if you're writing for an instant exchange compared with being able to have time for more reflection.
Lynne Tillman
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Certainly there will always be stories.
Lynne Tillman
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I still do believe that form and content are very much related. I think throwing away some of the rule books on that is a good thing.
Lynne Tillman
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I think the major device for me is that narrator's voice. I'm always trying to find a different kind of form to tell whatever story it is, and I wish that weren't so, because it drives me crazy.
Lynne Tillman
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You have to create the space for the possibility of people speaking as they do. If writing is supposed to lead us in any way or educate or suggest other ways of being, it can't do so by simply reflecting what's considered to be realistic.
Lynne Tillman
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I like to invent the dialogue that I want to have heard.
Lynne Tillman
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I'm very interested in animal behavior, and the relationship of human beings to other animal behavior.
Lynne Tillman
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I think many writers really believe that being published is a traumatic experience.
Lynne Tillman
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In depression, you're flattened. Your energy level is gone. When I'm anxious, I tend to have more energy. But it depends on the nature of the anxiety. The anxiety to finish something would seem to be more productive than the anxiety that says, You're feeling sick.
Lynne Tillman
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I'm trying always to leave out what I think is extraneous. And to find what I think is the most wonderful language to make a beautiful sentence.
Lynne Tillman
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Conversation on the page should reflect what the story is about. It doesn't have to be realistic in the sense that it's something you heard and plugged into a story.
Lynne Tillman
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Desire is a word I'm tired of. I've been living with that word for years. Yes, of course, we're all desiring machines. I have sometimes wondered what people would want, if there were no advertising. And death, what other subject is there? It's the subject. It's our subject. It's the great human dilemma, that we die and know we will.
Lynne Tillman
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People are less focused on the story, and more on how the story is told.
Lynne Tillman