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Being in Europe had helped me unlearn some of what I'd been taught or unconsciously believed.

Lynne Tillman

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Lynne Tillman
Age: 77
Born: 1947
Born: January 1
Novelist
Writer
Europe
Taught
Unlearn
Unconsciously
Helped
Believed

More quotes by Lynne Tillman

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The Dutch and the English, former competitors for world dominance, taught me the wisdom of waiting as well as withholding.
Lynne Tillman
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A friend of mine, a poet, Rebecca Wolff recently said to me, You know, your stories are really voice-driven, and I guess I knew that already, but it's so true that I can't get something going unless I can hear the voice.
Lynne Tillman
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Nonfiction gives you subjects. Writing fiction I can have more fun, but I have to invent my subject.
Lynne Tillman
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I'd studied English literature and American history, but the English literature, which I thought was going to be helpful to me in an immediate way, was the opposite. So I had to un-think a lot of things and move out of my own head, and I learned a lot. It was like graduate school, but an un-graduate school or an un-school.
Lynne Tillman
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You could say this word is better to use than that word, this sentence is good and that sentence isn't. But you don't determine the value of your work for other people.
Lynne Tillman
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People in the upper classes can just as easily be indifferent to their own body, or treat themselves as badly, as people who don't have the money. There are always differences among differences.
Lynne Tillman
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I'm the author of my own misery.
Lynne Tillman
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Obviously the Internet makes everything easier - you get people's addresses and so on and everything seems much more accessible.
Lynne Tillman
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Any writer knows that what's left out is as essential, if not more so, than what's there. Unlearning works that way.
Lynne Tillman
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I don't think anybody says to Coetzee or Dostoyevsky or Kafka, Your characters aren't likeable. It's not about your character winning a popularity contest. That's not the writer's job.
Lynne Tillman
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Certainly there will always be stories.
Lynne Tillman
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I subject my sentences and the words to a kind of Grand Inquisition.
Lynne Tillman
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I think the major device for me is that narrator's voice. I'm always trying to find a different kind of form to tell whatever story it is, and I wish that weren't so, because it drives me crazy.
Lynne Tillman
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Reading gave me great comfort and pleasure. When I started being able to write, around seven or eight, I wanted to be able to do that myself, to create that other world.
Lynne Tillman
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I do think we think repetitively. It's so hard to get certain thoughts out of your head. If you're angry at a friend, you're going to keep going back to that conversation.
Lynne Tillman
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It's easy, at this point in my life, very easy to write a beautiful sentence that's meaningless. A lot of writers do that. But I don't want it to be meaningless. I want it to actually say what I want it to say, and so I'm thinking about it again and again and again.
Lynne Tillman
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I think it's true that unless human beings experience something, they simply don't understand what people are going through.
Lynne Tillman
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When something in a sequence is edited, if you repeat an image, but in a different place, the effect is different. Because the brain is remembering, and the different juxtaposition triggers other memories, thoughts, ideas, and so on.
Lynne Tillman
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In depression, you're flattened. Your energy level is gone. When I'm anxious, I tend to have more energy. But it depends on the nature of the anxiety. The anxiety to finish something would seem to be more productive than the anxiety that says, You're feeling sick.
Lynne Tillman
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Conversation on the page should reflect what the story is about. It doesn't have to be realistic in the sense that it's something you heard and plugged into a story.
Lynne Tillman