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Being in Europe had helped me unlearn some of what I'd been taught or unconsciously believed.
Lynne Tillman
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Lynne Tillman
Age: 78
Born: 1947
Born: January 1
Novelist
Writer
Taught
Unlearn
Unconsciously
Helped
Believed
Europe
More quotes by Lynne Tillman
As a reader myself, which precedes my being a writer, of course, I read in order to enter another world.
Lynne Tillman
I think it's very hard to reconcile oneself to the notion that it may not matter what you think if you still want to write.
Lynne Tillman
Nonfiction gives you subjects. Writing fiction I can have more fun, but I have to invent my subject.
Lynne Tillman
The Dutch and the English, former competitors for world dominance, taught me the wisdom of waiting as well as withholding.
Lynne Tillman
I think the major device for me is that narrator's voice. I'm always trying to find a different kind of form to tell whatever story it is, and I wish that weren't so, because it drives me crazy.
Lynne Tillman
I learned I could be miserable anywhere in the world. I learned I really was an American.
Lynne Tillman
I subject my sentences and the words to a kind of Grand Inquisition.
Lynne Tillman
When something in a sequence is edited, if you repeat an image, but in a different place, the effect is different. Because the brain is remembering, and the different juxtaposition triggers other memories, thoughts, ideas, and so on.
Lynne Tillman
I like to invent the dialogue that I want to have heard.
Lynne Tillman
People are less focused on the story, and more on how the story is told.
Lynne Tillman
In a practical sense, pain kept me from sitting down as much, so that sometimes I would have to stand to write. Not that I would necessarily have gotten anywhere anyway. But it definitely set me back to be in so much pain.
Lynne Tillman
Certainly there will always be stories.
Lynne Tillman
Obviously the Internet makes everything easier - you get people's addresses and so on and everything seems much more accessible.
Lynne Tillman
I think it's true that unless human beings experience something, they simply don't understand what people are going through.
Lynne Tillman
[Reality] isn't simply the so-called world that you're in. Your reality is a much larger one that takes in all matter of identification and desires and hopes.
Lynne Tillman
Laughing and crying are very similar. Sometimes people go from laughing to crying, or crying to laughing. I remember being at someone's wedding and she couldn't stop laughing, through the whole ceremony. If she'd been crying, it would have seemed more normal, though.
Lynne Tillman
I don't think anybody says to Coetzee or Dostoyevsky or Kafka, Your characters aren't likeable. It's not about your character winning a popularity contest. That's not the writer's job.
Lynne Tillman
It's easy, at this point in my life, very easy to write a beautiful sentence that's meaningless. A lot of writers do that. But I don't want it to be meaningless. I want it to actually say what I want it to say, and so I'm thinking about it again and again and again.
Lynne Tillman
A friend of mine, a poet, Rebecca Wolff recently said to me, You know, your stories are really voice-driven, and I guess I knew that already, but it's so true that I can't get something going unless I can hear the voice.
Lynne Tillman
I'm not interested in safety. A great risk in writing is imagining you have something to protect. Playing it safe to placate someone or something. People talk about compromise, but often people don't even know when they're compromising, because they're not conscious of contradictions.
Lynne Tillman