Quote

There are lots of unlikable characters in literature. It doesn't mean they're not fascinating.

Lynne Tillman

Change background

T
T
T

Change font

TAGS & TOPICS

Lynne Tillman
Age: 77
Born: 1947
Born: January 1
Novelist
Writer
Mean
Unlikable
Fascinating
Lots
Characters
Literature
Doesn
Character

More quotes by Lynne Tillman

Image
Now that I am conscious of the world of chronic pain, when I see somebody walking down the street who's having trouble, I feel a sadness for them. I notice.
Lynne Tillman
Image
I think it's very hard to reconcile oneself to the notion that it may not matter what you think if you still want to write.
Lynne Tillman
Image
I'm trying always to leave out what I think is extraneous. And to find what I think is the most wonderful language to make a beautiful sentence.
Lynne Tillman
Image
People in the upper classes can just as easily be indifferent to their own body, or treat themselves as badly, as people who don't have the money. There are always differences among differences.
Lynne Tillman
Image
I'm not interested in safety. A great risk in writing is imagining you have something to protect. Playing it safe to placate someone or something. People talk about compromise, but often people don't even know when they're compromising, because they're not conscious of contradictions.
Lynne Tillman
Image
That's why our comics are important: they're pointing things out and laughing at the same time. There have been horrible, horrible times in history. They're mostly horrible times. But not to laugh? Not to find humor in something like dark optimism/bright pessimism - I think that's sad, frankly.
Lynne Tillman
Image
I'd studied English literature and American history, but the English literature, which I thought was going to be helpful to me in an immediate way, was the opposite. So I had to un-think a lot of things and move out of my own head, and I learned a lot. It was like graduate school, but an un-graduate school or an un-school.
Lynne Tillman
Image
I think it's true that unless human beings experience something, they simply don't understand what people are going through.
Lynne Tillman
Image
Kafka wrote the great line: my education has damaged me in ways I do not even know. And that's always been a signature motto for me.
Lynne Tillman
Image
I still do believe that form and content are very much related. I think throwing away some of the rule books on that is a good thing.
Lynne Tillman
Image
Do the obvious, you won't forget it. Do the obvious, you won't regret it. Obvious, obvious, obvious.
Lynne Tillman
Image
Nonfiction gives you subjects. Writing fiction I can have more fun, but I have to invent my subject.
Lynne Tillman
Image
I don't think anybody says to Coetzee or Dostoyevsky or Kafka, Your characters aren't likeable. It's not about your character winning a popularity contest. That's not the writer's job.
Lynne Tillman
Image
I subject my sentences and the words to a kind of Grand Inquisition.
Lynne Tillman
Image
Reading gave me great comfort and pleasure. When I started being able to write, around seven or eight, I wanted to be able to do that myself, to create that other world.
Lynne Tillman
Image
Desire is a word I'm tired of. I've been living with that word for years. Yes, of course, we're all desiring machines. I have sometimes wondered what people would want, if there were no advertising. And death, what other subject is there? It's the subject. It's our subject. It's the great human dilemma, that we die and know we will.
Lynne Tillman
Image
I do think we think repetitively. It's so hard to get certain thoughts out of your head. If you're angry at a friend, you're going to keep going back to that conversation.
Lynne Tillman
Image
You can think everything is dire, but you act as if there's possibility. I see children coming into the world as an expression of this. Sometimes, not always - it can just be somebody that wasn't on the birth control pill or didn't have access to abortion. But I usually see a wanted child as a sign of optimism, and I like that.
Lynne Tillman
Image
I think the slowness of exchange is over, and the idea of waiting for a response - that's gone. People don't want to wait. It's all this instantaneity. That's fine. But it also makes writing different, if you're writing for an instant exchange compared with being able to have time for more reflection.
Lynne Tillman
Image
It's easy, at this point in my life, very easy to write a beautiful sentence that's meaningless. A lot of writers do that. But I don't want it to be meaningless. I want it to actually say what I want it to say, and so I'm thinking about it again and again and again.
Lynne Tillman