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I don't have the education of an art historian. I've certainly read about art and look at art and have educated myself to some extent. But I'm not a skilled or thorough art historian and I wouldn't call myself an art critic.

Lynne Tillman

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Lynne Tillman
Age: 78
Born: 1947
Born: January 1
Novelist
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More quotes by Lynne Tillman

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I learned I could be miserable anywhere in the world. I learned I really was an American.
Lynne Tillman
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I'm very interested in animal behavior, and the relationship of human beings to other animal behavior.
Lynne Tillman
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I think the major device for me is that narrator's voice. I'm always trying to find a different kind of form to tell whatever story it is, and I wish that weren't so, because it drives me crazy.
Lynne Tillman
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I don't think anybody says to Coetzee or Dostoyevsky or Kafka, Your characters aren't likeable. It's not about your character winning a popularity contest. That's not the writer's job.
Lynne Tillman
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Certainly there will always be stories.
Lynne Tillman
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I'm trying always to leave out what I think is extraneous. And to find what I think is the most wonderful language to make a beautiful sentence.
Lynne Tillman
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There are lots of unlikable characters in literature. It doesn't mean they're not fascinating.
Lynne Tillman
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In a practical sense, pain kept me from sitting down as much, so that sometimes I would have to stand to write. Not that I would necessarily have gotten anywhere anyway. But it definitely set me back to be in so much pain.
Lynne Tillman
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Being in Europe had helped me unlearn some of what I'd been taught or unconsciously believed.
Lynne Tillman
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My friends and I sometimes laugh at each other that there is so much maintenance of a body. I paid no attention when I was younger.
Lynne Tillman
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I subject my sentences and the words to a kind of Grand Inquisition.
Lynne Tillman
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You could say this word is better to use than that word, this sentence is good and that sentence isn't. But you don't determine the value of your work for other people.
Lynne Tillman
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I'm not interested in safety. A great risk in writing is imagining you have something to protect. Playing it safe to placate someone or something. People talk about compromise, but often people don't even know when they're compromising, because they're not conscious of contradictions.
Lynne Tillman
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You can think everything is dire, but you act as if there's possibility. I see children coming into the world as an expression of this. Sometimes, not always - it can just be somebody that wasn't on the birth control pill or didn't have access to abortion. But I usually see a wanted child as a sign of optimism, and I like that.
Lynne Tillman
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In depression, you're flattened. Your energy level is gone. When I'm anxious, I tend to have more energy. But it depends on the nature of the anxiety. The anxiety to finish something would seem to be more productive than the anxiety that says, You're feeling sick.
Lynne Tillman
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When you free women so they can choose to have or not to have, or to conceive - that's something that, for millennia, women couldn't do. Biology was, in many ways, destiny. We wouldn't be talking about gender if women could not control their pregnancies.
Lynne Tillman
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I like to invent the dialogue that I want to have heard.
Lynne Tillman
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As a reader myself, which precedes my being a writer, of course, I read in order to enter another world.
Lynne Tillman
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It's easy, at this point in my life, very easy to write a beautiful sentence that's meaningless. A lot of writers do that. But I don't want it to be meaningless. I want it to actually say what I want it to say, and so I'm thinking about it again and again and again.
Lynne Tillman
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Reading gave me great comfort and pleasure. When I started being able to write, around seven or eight, I wanted to be able to do that myself, to create that other world.
Lynne Tillman