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Now that I'm an older woman, I'm so much more aware of the changes - almost too aware. I feel sorry for being so dismissive. You have to think about what you're thinking about and realize that you're thinking it.

Lynne Tillman

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Lynne Tillman
Age: 77
Born: 1947
Born: January 1
Novelist
Writer
Sorry
Feels
Much
Older
Think
Changes
Thinking
Realize
Realizing
Almost
Dismissive
Woman
Aware
Feel

More quotes by Lynne Tillman

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I think the slowness of exchange is over, and the idea of waiting for a response - that's gone. People don't want to wait. It's all this instantaneity. That's fine. But it also makes writing different, if you're writing for an instant exchange compared with being able to have time for more reflection.
Lynne Tillman
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Reading gave me great comfort and pleasure. When I started being able to write, around seven or eight, I wanted to be able to do that myself, to create that other world.
Lynne Tillman
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Desire is a word I'm tired of. I've been living with that word for years. Yes, of course, we're all desiring machines. I have sometimes wondered what people would want, if there were no advertising. And death, what other subject is there? It's the subject. It's our subject. It's the great human dilemma, that we die and know we will.
Lynne Tillman
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I still do believe that form and content are very much related. I think throwing away some of the rule books on that is a good thing.
Lynne Tillman
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A friend of mine, a poet, Rebecca Wolff recently said to me, You know, your stories are really voice-driven, and I guess I knew that already, but it's so true that I can't get something going unless I can hear the voice.
Lynne Tillman
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Laughing and crying are very similar. Sometimes people go from laughing to crying, or crying to laughing. I remember being at someone's wedding and she couldn't stop laughing, through the whole ceremony. If she'd been crying, it would have seemed more normal, though.
Lynne Tillman
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Any writer knows that what's left out is as essential, if not more so, than what's there. Unlearning works that way.
Lynne Tillman
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Now that I am conscious of the world of chronic pain, when I see somebody walking down the street who's having trouble, I feel a sadness for them. I notice.
Lynne Tillman
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I do think we think repetitively. It's so hard to get certain thoughts out of your head. If you're angry at a friend, you're going to keep going back to that conversation.
Lynne Tillman
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In a practical sense, pain kept me from sitting down as much, so that sometimes I would have to stand to write. Not that I would necessarily have gotten anywhere anyway. But it definitely set me back to be in so much pain.
Lynne Tillman
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You can think everything is dire, but you act as if there's possibility. I see children coming into the world as an expression of this. Sometimes, not always - it can just be somebody that wasn't on the birth control pill or didn't have access to abortion. But I usually see a wanted child as a sign of optimism, and I like that.
Lynne Tillman
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My friends and I sometimes laugh at each other that there is so much maintenance of a body. I paid no attention when I was younger.
Lynne Tillman
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I learned I could be miserable anywhere in the world. I learned I really was an American.
Lynne Tillman
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People are less focused on the story, and more on how the story is told.
Lynne Tillman
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You could say this word is better to use than that word, this sentence is good and that sentence isn't. But you don't determine the value of your work for other people.
Lynne Tillman
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I think it's true that unless human beings experience something, they simply don't understand what people are going through.
Lynne Tillman
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I'm not interested in safety. A great risk in writing is imagining you have something to protect. Playing it safe to placate someone or something. People talk about compromise, but often people don't even know when they're compromising, because they're not conscious of contradictions.
Lynne Tillman
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When something in a sequence is edited, if you repeat an image, but in a different place, the effect is different. Because the brain is remembering, and the different juxtaposition triggers other memories, thoughts, ideas, and so on.
Lynne Tillman
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I don't think anybody says to Coetzee or Dostoyevsky or Kafka, Your characters aren't likeable. It's not about your character winning a popularity contest. That's not the writer's job.
Lynne Tillman
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There are lots of unlikable characters in literature. It doesn't mean they're not fascinating.
Lynne Tillman