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It's true you have to screen out a lot living in the city. I stayed away from New York for a long time after college, and when I was first back, I'd read The Village Voice and feel like I was having a panic attack.
Lynne Tillman
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Lynne Tillman
Age: 77
Born: 1947
Born: January 1
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More quotes by Lynne Tillman
Desire is a word I'm tired of. I've been living with that word for years. Yes, of course, we're all desiring machines. I have sometimes wondered what people would want, if there were no advertising. And death, what other subject is there? It's the subject. It's our subject. It's the great human dilemma, that we die and know we will.
Lynne Tillman
I subject my sentences and the words to a kind of Grand Inquisition.
Lynne Tillman
I don't think anybody says to Coetzee or Dostoyevsky or Kafka, Your characters aren't likeable. It's not about your character winning a popularity contest. That's not the writer's job.
Lynne Tillman
You have to create the space for the possibility of people speaking as they do. If writing is supposed to lead us in any way or educate or suggest other ways of being, it can't do so by simply reflecting what's considered to be realistic.
Lynne Tillman
Any writer knows that what's left out is as essential, if not more so, than what's there. Unlearning works that way.
Lynne Tillman
I think many writers really believe that being published is a traumatic experience.
Lynne Tillman
[Reality] isn't simply the so-called world that you're in. Your reality is a much larger one that takes in all matter of identification and desires and hopes.
Lynne Tillman
I'm not interested in safety. A great risk in writing is imagining you have something to protect. Playing it safe to placate someone or something. People talk about compromise, but often people don't even know when they're compromising, because they're not conscious of contradictions.
Lynne Tillman
Conversation on the page should reflect what the story is about. It doesn't have to be realistic in the sense that it's something you heard and plugged into a story.
Lynne Tillman
I learned I could be miserable anywhere in the world. I learned I really was an American.
Lynne Tillman
Obviously the Internet makes everything easier - you get people's addresses and so on and everything seems much more accessible.
Lynne Tillman
Do the obvious, you won't forget it. Do the obvious, you won't regret it. Obvious, obvious, obvious.
Lynne Tillman
Reading gave me great comfort and pleasure. When I started being able to write, around seven or eight, I wanted to be able to do that myself, to create that other world.
Lynne Tillman
I think the slowness of exchange is over, and the idea of waiting for a response - that's gone. People don't want to wait. It's all this instantaneity. That's fine. But it also makes writing different, if you're writing for an instant exchange compared with being able to have time for more reflection.
Lynne Tillman
I'm trying always to leave out what I think is extraneous. And to find what I think is the most wonderful language to make a beautiful sentence.
Lynne Tillman
I don't have the education of an art historian. I've certainly read about art and look at art and have educated myself to some extent. But I'm not a skilled or thorough art historian and I wouldn't call myself an art critic.
Lynne Tillman
I think it's true that unless human beings experience something, they simply don't understand what people are going through.
Lynne Tillman
Whatever the style is, I want to have a sense that the writer is thinking, and really trying to get at something, and that there's a sense of discovery as the writing goes along.
Lynne Tillman
My friends and I sometimes laugh at each other that there is so much maintenance of a body. I paid no attention when I was younger.
Lynne Tillman
I think the major device for me is that narrator's voice. I'm always trying to find a different kind of form to tell whatever story it is, and I wish that weren't so, because it drives me crazy.
Lynne Tillman