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I think many writers really believe that being published is a traumatic experience.

Lynne Tillman

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Lynne Tillman
Age: 77
Born: 1947
Born: January 1
Novelist
Writer
Believe
Really
Think
Thinking
Traumatic
Published
Writers
Experience
Many

More quotes by Lynne Tillman

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Do the obvious, you won't forget it. Do the obvious, you won't regret it. Obvious, obvious, obvious.
Lynne Tillman
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Certainly there will always be stories.
Lynne Tillman
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My friends and I sometimes laugh at each other that there is so much maintenance of a body. I paid no attention when I was younger.
Lynne Tillman
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I'm the author of my own misery.
Lynne Tillman
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I don't have the education of an art historian. I've certainly read about art and look at art and have educated myself to some extent. But I'm not a skilled or thorough art historian and I wouldn't call myself an art critic.
Lynne Tillman
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I'm trying always to leave out what I think is extraneous. And to find what I think is the most wonderful language to make a beautiful sentence.
Lynne Tillman
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I think the slowness of exchange is over, and the idea of waiting for a response - that's gone. People don't want to wait. It's all this instantaneity. That's fine. But it also makes writing different, if you're writing for an instant exchange compared with being able to have time for more reflection.
Lynne Tillman
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That's why our comics are important: they're pointing things out and laughing at the same time. There have been horrible, horrible times in history. They're mostly horrible times. But not to laugh? Not to find humor in something like dark optimism/bright pessimism - I think that's sad, frankly.
Lynne Tillman
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I don't think anybody says to Coetzee or Dostoyevsky or Kafka, Your characters aren't likeable. It's not about your character winning a popularity contest. That's not the writer's job.
Lynne Tillman
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A friend of mine, a poet, Rebecca Wolff recently said to me, You know, your stories are really voice-driven, and I guess I knew that already, but it's so true that I can't get something going unless I can hear the voice.
Lynne Tillman
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I'd studied English literature and American history, but the English literature, which I thought was going to be helpful to me in an immediate way, was the opposite. So I had to un-think a lot of things and move out of my own head, and I learned a lot. It was like graduate school, but an un-graduate school or an un-school.
Lynne Tillman
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Being in Europe had helped me unlearn some of what I'd been taught or unconsciously believed.
Lynne Tillman
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In depression, you're flattened. Your energy level is gone. When I'm anxious, I tend to have more energy. But it depends on the nature of the anxiety. The anxiety to finish something would seem to be more productive than the anxiety that says, You're feeling sick.
Lynne Tillman
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I think the major device for me is that narrator's voice. I'm always trying to find a different kind of form to tell whatever story it is, and I wish that weren't so, because it drives me crazy.
Lynne Tillman
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I think it's very hard to reconcile oneself to the notion that it may not matter what you think if you still want to write.
Lynne Tillman
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I'm not interested in safety. A great risk in writing is imagining you have something to protect. Playing it safe to placate someone or something. People talk about compromise, but often people don't even know when they're compromising, because they're not conscious of contradictions.
Lynne Tillman
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I subject my sentences and the words to a kind of Grand Inquisition.
Lynne Tillman
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Whatever the style is, I want to have a sense that the writer is thinking, and really trying to get at something, and that there's a sense of discovery as the writing goes along.
Lynne Tillman
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Obviously the Internet makes everything easier - you get people's addresses and so on and everything seems much more accessible.
Lynne Tillman
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I learned I could be miserable anywhere in the world. I learned I really was an American.
Lynne Tillman