What a feat of transmission: the emotive powers of the book, with no local habitation, pass safely from writer to reader, unmangled by printing and binding and shipping, renewed and available whenever we open it.

I have done what people do, my life makes a reasonable showing. Can I go back to my books now?

Head held high and lips parted, she breathed in the music, sending it through her torso and arms and legs the way the Tai Chi teacher told us to breath the air, transforming it into energy, motion. Dancing is the body's song, and Bess sang.

Nothing is as horrendous as imagining the times of happiness from an environment which is that of hell.

Leave the dishes unwashed and the demands on your time unanswered. Be ruthless and refuse to do what people ask of you.

The stillness and stasis of bed are the perfect opposite of travel: inertia is what I've come to consider the default mode, existentially and electronically speaking. Bed, its utter inactivity, offers a glimpse of eternity, without the drawback of being dead.

In books I found explicitly, flamboyantly, everything censored in life.

Like the bodies of dancers or athletes, the minds of readers are genuinely happy and self-possessed only when cavorting around, doing their stretches and leaps and jumps to the tune of words.

My head aches, my eyes burn, my arms and legs have given up, and my face in the mirror has a grayish cast. The bed, across the room, calls in its unmistakable lover's croon, Come to me, come, only I can make you truly happy, oh, how happy I'll make you, don't resist, remember how you moan with pleasure the instant we touch..... Laura Acosta