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I'm heavily influenced by Edward Ardizzone, how he has people talking in little speech bubbles. I love those. And also Edward Gorey. Those are two of my favorite people.

Lynne Rae Perkins

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Lynne Rae Perkins
Age: 68
Born: 1956
Born: July 31
Novelist
Writer
Little
Bubbles
Love
Influenced
People
Favorite
Speech
Talking
Two
Also
Edward
Littles
Heavily

More quotes by Lynne Rae Perkins

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Some of it just involved thinking about, for example, the different kinds of science, what chemistry is.
Lynne Rae Perkins
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I'm German, after all.
Lynne Rae Perkins
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I don't like things to be static when I'm working.
Lynne Rae Perkins
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I [drinking coffee] for about an hour, I get dressed and go down in my studio, and that's a different kind of working.
Lynne Rae Perkins
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It's one of my favorite times of day. I'll have an array of notes, things that I want to think about. Something will start to take shape, and I'll play around with it. It's not usually an intense time. It's sort of a playful time. But it's when some really good thoughts arise.
Lynne Rae Perkins
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If I could make a career out of drawing little girls hiding in corners, I would do really well.
Lynne Rae Perkins
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I do love that discovery of when you're trying to figure out how to make something work, and it happens in a way that you didn't predict.
Lynne Rae Perkins
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One of my favorite moments in that book [As Easy as Falling Off the Face of the Earth] was when something happened that I had no idea was going to happen.
Lynne Rae Perkins
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A long time ago, I had an idea to make a book for preschoolers who had older siblings who were going to school.
Lynne Rae Perkins
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The morning time is also a time when I look at what I did yesterday. That's often a jumping-off point for today.
Lynne Rae Perkins
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It would look like a notebook with dividers, and there'd be different subjects and things [preschoolers] could do, so that they could feel like they were going to school also.
Lynne Rae Perkins
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There will be scenes in a movie where people are walking through the park, or through a forest, and you're seeing the flickering leaves around them, and they're walking, but you're also hearing their words. It's an interaction between where they are and what they're saying that's both visual and verbal.
Lynne Rae Perkins
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I do like to be surprised.
Lynne Rae Perkins
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I remember when I was working on All Alone in the Universe, and Robin Roy was my editor. When I first sent it to her, she said kids this age don't want pictures in their books.
Lynne Rae Perkins
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I made a drawing for a book I'm working . It's a little drawing of a girl who's ashamed and upset and hides in the corner of the closet. It's the kind of drawing that I feel like I'm really good at.
Lynne Rae Perkins
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Often they do go back and forth the whole way, and I don't know until the very end what the last line of the book is going to be. That was true here - the very last line of the book was the last thing that happened.
Lynne Rae Perkins
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I love that when you're writing your mind is sort of figuring things out on its own, without you directing it.
Lynne Rae Perkins
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I think we're conditioned by watching movies.
Lynne Rae Perkins
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It really does feel, partly because of graphic novels kids read, like there's a lot of freedom with how you can use both images and words, because we think in both of those ways.
Lynne Rae Perkins
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We had a dog, Lucky, who was fourteen years old. For the last year of his life, I would take him on these walks that were long but didn't cover much distance.
Lynne Rae Perkins