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You know that great car-stomach feeling when you fly over a hump? That was my whole body.

Lynda Barry

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Lynda Barry
Age: 68
Born: 1956
Born: January 2
Cartoonist
Comics Artist
University Teacher
Car
Feeling
Feelings
Body
Whole
Great
Hump
Stomach

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For horror movies, color is reassuring because, at least in older films, it adds to the fakey-ness.
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I've gotten a lot of livid letters about the awfulness of my work. I've never known what to make of it. Why do people bother to write if they hate what I do?
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No matter what, expect the unexpected. And whenever possible BE the unexpected.
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but paper and ink have conjuring abilities of their own. arrangements of lines and shapes, of letters and words on a series of pages make a world we can dwell and travel in.
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In life there are always these things happening if you can just get the joke.
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Love will make a way out of no way
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Going on Letterman is like going off the high dive. It's exhilarating, but after a while it wasn't the kind of thrill I enjoyed.
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I started doing cartoons when I was about 21. I never thought I would be a cartoonist. It happened behind my back. I was always a painter and drawer.
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My goal on my bucket list is to write a romantic comedy movie.
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I remember my comic strips being called new wave. It bugged me.
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When an attractive but ALOOF (cool) man comes along, there are some of us who offer to shine his shoes with our underpants. There are thousands of scientific concepts as to why this is so, and yes, yes, it's very sick but none of this helps.
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A man who has been dead for a week in a hot trailer looks more like a man than you would first expect.
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I wasn't afraid to be laughed at or be loud.
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Playing and fun are not the same thing, though when we grow up we may forget that and find ourselves mixing up playing with happiness. There can be a kind of amnesia about the seriousness of playing, especially when we played by ourselves.
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But when the thing that is scaring you is already Jesus, who are you supposed to pray to?
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When we finish a book, why do we hold it in both hands and gaze at it as if it were somehow alive?
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When I work on a book, I usually start with a question. And I don't sit around and go I need to write a book. What's a good question? It will be a question that's just clanging around in my head.
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The happy ending is hardly important, though we may be glad its there. The real joy is knowing that if you felt the trouble in the story, your kingdom isnt dead.
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Then how can you ever know about the beautiful goodness of Mud? How bad it wants to be things. How bad it wants to get on your legs and arms and take your footprints and handprints and how bad it wants you to make it alive! Mud is always ready to play with you. Seriously you should try it!
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This ability to exist in pieces is what some adults call resilience. And I suppose in some way it is a kind of resilience, a horrible resilience that makes adults believe children forget trauma.
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