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In some sense the text and the translator are locked in struggle - 'I attacked that sentence, it resisted me, I attacked another, it eluded me' - a struggle in which, curiously, when the translator wins, the text wins too.
Lydia Davis
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Lydia Davis
Age: 77
Born: 1947
Born: July 15
Linguist
Novelist
Translator
University Teacher
Writer
Northampton
Massachusetts
Text
Sentence
Eluded
Locked
Translator
Sentences
Curiously
Struggle
Translators
Winning
Resisted
Sense
Attacked
Another
Wins
More quotes by Lydia Davis
I think a lot of what goes into writing can be taught - not mixing metaphors, etc.
Lydia Davis
Art is not in some far-off place.
Lydia Davis
As the writer, I may choose to ignore the emotional heart of the matter, and focus on details, and trust that the heart of the matter will be conveyed nevertheless.
Lydia Davis
There seemed to be three choices: to give up trying to love anyone, to stop being selfish, or to learn to love a person while continuing to be selfish.
Lydia Davis
I don't feel I have to struggle against allegory. I let the readers do the interpreting.
Lydia Davis
I don't believe, in the end, that there is any such thing as no style. Even a very neutral, plain style, one that doesn't use colloquialisms, lyrical flourishes, heavy supplies of metaphor, etc., is a style, and it becomes a writer's characteristic style just as much as a thicker, richer deployment of idiom and vocabulary.
Lydia Davis
I don’t like to hurt people’s feelings, and I don’t like to knock other writers as a matter of principle.
Lydia Davis
Do what you want to do, and don't worry if it's a little odd or doesn't fit the market.
Lydia Davis
If I was writing about an academic or a more difficult person, I would use the Latinate vocabulary more, but I do think Anglo-saxon is the language of emotion.
Lydia Davis
I don't pare down much. I write the beginning of a story in a notebook and it comes out very close to what it will be in the end. There is not much deliberateness about it.
Lydia Davis
I am simply not interested, at this point, in creating narrative scenes between characters.
Lydia Davis
No one is calling me. I can’t check the answering machine because I have been here all this time. If I go out, someone may call while I’m out. Then I can check the answering machine when I come back in.
Lydia Davis
I find teaching - I like it, but I find just walking into the classroom and facing the students very difficult.
Lydia Davis
Part of my mind is working on how to end the thing while I'm going on. You need at least two brains to write.
Lydia Davis
The moment when a limit is reached, when there is nothing ahead but darkness: something comes in to help that is not real. Another way all this is like madness: a mad person not helped out of his trouble by anything real begins to trust what is not real because it helps him and he needs it because real things continue not to help him.
Lydia Davis
I worked more intensively hour after hour when I was starting out [writing]. More laboriously. I'd say quantity is important as well as quality, and if you're not producing enough, make a schedule and stick to it.
Lydia Davis
The style developed over decades, really, but I started out writing pretty traditional stories, then became impatient. It was a writer named Russell Edson who showed me that one could write in any way at all.
Lydia Davis
I looked like a woman in glasses, but I had dreams of leading a very different kind of life, the life of a woman who would not wear glasses, the kind of woman I saw from a distance now and then in a bar.
Lydia Davis
I'm used to rereading e-mails, even, before sending them - a bit compulsive. So this is high speed roller coaster for me!
Lydia Davis
Because I'm not writing all the time (thank goodness), my mind is sometimes pleasantly blank.
Lydia Davis