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Often, the idea that there can be a wide range of translations of one text doesn't occur to people - or that a translation could be bad, very bad, and unfaithful to the original.
Lydia Davis
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Lydia Davis
Age: 77
Born: 1947
Born: July 15
Linguist
Novelist
Translator
University Teacher
Writer
Northampton
Massachusetts
Wide
Unfaithful
Idea
Translation
Often
Translations
Doesn
Occur
Ideas
Text
People
Originals
Range
Original
More quotes by Lydia Davis
So the question really is, Why doesn't that pain make you say, I won't do it again? When the pain is so bad that you have to say that, but you don't.
Lydia Davis
Do what you want to do, and don't worry if it's a little odd or doesn't fit the market.
Lydia Davis
I am simply not interested, at this point, in creating narrative scenes between characters.
Lydia Davis
I am basically the sort of person who has stage-fright teaching. I kind of creep into a classroom. I'm not an anecdote-teller, either, although I often wish I were.
Lydia Davis
There seemed to be three choices: to give up trying to love anyone, to stop being selfish, or to learn to love a person while continuing to be selfish.
Lydia Davis
To be simple, I would say a story has to have a bit of narrative, if only she says, and then enough of a creation of a different time and place to transport the reader.
Lydia Davis
I don't feel I have to struggle against allegory. I let the readers do the interpreting.
Lydia Davis
In some sense the text and the translator are locked in struggle - 'I attacked that sentence, it resisted me, I attacked another, it eluded me' - a struggle in which, curiously, when the translator wins, the text wins too.
Lydia Davis
When I'm trying a new form- trying to do something I'm not used to doing, which was true of the novel.
Lydia Davis
I'm a fierce editor! I don't edit out things that I began by saying, usually. The editing is on the micro level - a comma here, a word there.
Lydia Davis
Part of my mind is working on how to end the thing while I'm going on. You need at least two brains to write.
Lydia Davis
I worked more intensively hour after hour when I was starting out [writing]. More laboriously. I'd say quantity is important as well as quality, and if you're not producing enough, make a schedule and stick to it.
Lydia Davis
I'm used to rereading e-mails, even, before sending them - a bit compulsive. So this is high speed roller coaster for me!
Lydia Davis
I don't pare down much. I write the beginning of a story in a notebook and it comes out very close to what it will be in the end. There is not much deliberateness about it.
Lydia Davis
Art is not in some far-off place.
Lydia Davis
I don't believe, in the end, that there is any such thing as no style. Even a very neutral, plain style, one that doesn't use colloquialisms, lyrical flourishes, heavy supplies of metaphor, etc., is a style, and it becomes a writer's characteristic style just as much as a thicker, richer deployment of idiom and vocabulary.
Lydia Davis
If I was writing about an academic or a more difficult person, I would use the Latinate vocabulary more, but I do think Anglo-saxon is the language of emotion.
Lydia Davis
The moment when a limit is reached, when there is nothing ahead but darkness: something comes in to help that is not real. Another way all this is like madness: a mad person not helped out of his trouble by anything real begins to trust what is not real because it helps him and he needs it because real things continue not to help him.
Lydia Davis
The style developed over decades, really, but I started out writing pretty traditional stories, then became impatient. It was a writer named Russell Edson who showed me that one could write in any way at all.
Lydia Davis
I don’t like to hurt people’s feelings, and I don’t like to knock other writers as a matter of principle.
Lydia Davis