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I don't pare down much. I write the beginning of a story in a notebook and it comes out very close to what it will be in the end. There is not much deliberateness about it.

Lydia Davis

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Lydia Davis
Age: 77
Born: 1947
Born: July 15
Linguist
Novelist
Translator
University Teacher
Writer
Northampton
Massachusetts
Write
Ends
Stories
Pare
Writing
Notebook
Much
Beginning
Close
Story
Comes

More quotes by Lydia Davis

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I'm a fierce editor! I don't edit out things that I began by saying, usually. The editing is on the micro level - a comma here, a word there.
Lydia Davis
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That's the interesting thing about writing. You can start late, you can be ignorant of things, and yet, if you work hard and pay attention you can do a good job of it.
Lydia Davis
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I am simply not interested, at this point, in creating narrative scenes between characters.
Lydia Davis
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The style developed over decades, really, but I started out writing pretty traditional stories, then became impatient. It was a writer named Russell Edson who showed me that one could write in any way at all.
Lydia Davis
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Part of my mind is working on how to end the thing while I'm going on. You need at least two brains to write.
Lydia Davis
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There seemed to be three choices: to give up trying to love anyone, to stop being selfish, or to learn to love a person while continuing to be selfish.
Lydia Davis
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I never dream in French, but certain French words seem better or more fun than English words - like 'pois chiches' for chick peas!
Lydia Davis
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No one is calling me. I can’t check the answering machine because I have been here all this time. If I go out, someone may call while I’m out. Then I can check the answering machine when I come back in.
Lydia Davis
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Art is not in some far-off place.
Lydia Davis
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In some sense the text and the translator are locked in struggle - 'I attacked that sentence, it resisted me, I attacked another, it eluded me' - a struggle in which, curiously, when the translator wins, the text wins too.
Lydia Davis
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As the writer, I may choose to ignore the emotional heart of the matter, and focus on details, and trust that the heart of the matter will be conveyed nevertheless.
Lydia Davis
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I don’t like to hurt people’s feelings, and I don’t like to knock other writers as a matter of principle.
Lydia Davis
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To be simple, I would say a story has to have a bit of narrative, if only she says, and then enough of a creation of a different time and place to transport the reader.
Lydia Davis
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My stories are sometimes closer to poems or meditations, but often there is at least a little narrative in them.
Lydia Davis
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When I'm trying a new form- trying to do something I'm not used to doing, which was true of the novel.
Lydia Davis
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I don't feel I have to struggle against allegory. I let the readers do the interpreting.
Lydia Davis
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Often, the idea that there can be a wide range of translations of one text doesn't occur to people - or that a translation could be bad, very bad, and unfaithful to the original.
Lydia Davis
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I am basically the sort of person who has stage-fright teaching. I kind of creep into a classroom. I'm not an anecdote-teller, either, although I often wish I were.
Lydia Davis
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I looked like a woman in glasses, but I had dreams of leading a very different kind of life, the life of a woman who would not wear glasses, the kind of woman I saw from a distance now and then in a bar.
Lydia Davis
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I find teaching - I like it, but I find just walking into the classroom and facing the students very difficult.
Lydia Davis