Quote

I am simply not interested, at this point, in creating narrative scenes between characters.

Lydia Davis

Change background

T
T
T

Change font

TAGS & TOPICS

Lydia Davis
Age: 77
Born: 1947
Born: July 15
Linguist
Novelist
Translator
University Teacher
Writer
Northampton
Massachusetts
Simply
Point
Character
Scenes
Narrative
Characters
Interested
Scene
Creating

More quotes by Lydia Davis

Image
I looked like a woman in glasses, but I had dreams of leading a very different kind of life, the life of a woman who would not wear glasses, the kind of woman I saw from a distance now and then in a bar.
Lydia Davis
Image
I'm used to rereading e-mails, even, before sending them - a bit compulsive. So this is high speed roller coaster for me!
Lydia Davis
Image
I don't believe a good poet is very often deliberately obscure. A poet writes in a way necessary to him or her the reader may then find the poem difficult.
Lydia Davis
Image
That's the interesting thing about writing. You can start late, you can be ignorant of things, and yet, if you work hard and pay attention you can do a good job of it.
Lydia Davis
Image
But it is curious how you can see that an idea is absolutely true and correct and yet not believe it deeply enough to act on it.
Lydia Davis
Image
I don't believe, in the end, that there is any such thing as no style. Even a very neutral, plain style, one that doesn't use colloquialisms, lyrical flourishes, heavy supplies of metaphor, etc., is a style, and it becomes a writer's characteristic style just as much as a thicker, richer deployment of idiom and vocabulary.
Lydia Davis
Image
In some sense the text and the translator are locked in struggle - 'I attacked that sentence, it resisted me, I attacked another, it eluded me' - a struggle in which, curiously, when the translator wins, the text wins too.
Lydia Davis
Image
There seemed to be three choices: to give up trying to love anyone, to stop being selfish, or to learn to love a person while continuing to be selfish.
Lydia Davis
Image
I don’t like to hurt people’s feelings, and I don’t like to knock other writers as a matter of principle.
Lydia Davis
Image
If I was writing about an academic or a more difficult person, I would use the Latinate vocabulary more, but I do think Anglo-saxon is the language of emotion.
Lydia Davis
Image
Art is not in some far-off place.
Lydia Davis
Image
Do what you want to do, and don't worry if it's a little odd or doesn't fit the market.
Lydia Davis
Image
To be simple, I would say a story has to have a bit of narrative, if only she says, and then enough of a creation of a different time and place to transport the reader.
Lydia Davis
Image
I'm a fierce editor! I don't edit out things that I began by saying, usually. The editing is on the micro level - a comma here, a word there.
Lydia Davis
Image
I never dream in French, but certain French words seem better or more fun than English words - like 'pois chiches' for chick peas!
Lydia Davis
Image
The style developed over decades, really, but I started out writing pretty traditional stories, then became impatient. It was a writer named Russell Edson who showed me that one could write in any way at all.
Lydia Davis
Image
I started writing the one-sentence stories when I was translating 'Swann's Way.' There were two reasons. I had almost no time to do my own writing, but didn't want to stop. And it was a reaction to Proust's very long sentences.
Lydia Davis
Image
No one is calling me. I can’t check the answering machine because I have been here all this time. If I go out, someone may call while I’m out. Then I can check the answering machine when I come back in.
Lydia Davis
Image
I think a lot of what goes into writing can be taught - not mixing metaphors, etc.
Lydia Davis
Image
I worked more intensively hour after hour when I was starting out [writing]. More laboriously. I'd say quantity is important as well as quality, and if you're not producing enough, make a schedule and stick to it.
Lydia Davis