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There seemed to be three choices: to give up trying to love anyone, to stop being selfish, or to learn to love a person while continuing to be selfish.
Lydia Davis
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Lydia Davis
Age: 77
Born: 1947
Born: July 15
Linguist
Novelist
Translator
University Teacher
Writer
Northampton
Massachusetts
Give
Continuing
Persons
Selfish
Person
Seemed
Giving
Stop
Trying
Choices
Love
Anyone
Learn
Three
More quotes by Lydia Davis
I'm a fierce editor! I don't edit out things that I began by saying, usually. The editing is on the micro level - a comma here, a word there.
Lydia Davis
That's the interesting thing about writing. You can start late, you can be ignorant of things, and yet, if you work hard and pay attention you can do a good job of it.
Lydia Davis
I started writing the one-sentence stories when I was translating 'Swann's Way.' There were two reasons. I had almost no time to do my own writing, but didn't want to stop. And it was a reaction to Proust's very long sentences.
Lydia Davis
Art is not in some far-off place.
Lydia Davis
I don't feel I have to struggle against allegory. I let the readers do the interpreting.
Lydia Davis
The moment when a limit is reached, when there is nothing ahead but darkness: something comes in to help that is not real. Another way all this is like madness: a mad person not helped out of his trouble by anything real begins to trust what is not real because it helps him and he needs it because real things continue not to help him.
Lydia Davis
When I'm trying a new form- trying to do something I'm not used to doing, which was true of the novel.
Lydia Davis
Part of my mind is working on how to end the thing while I'm going on. You need at least two brains to write.
Lydia Davis
The style developed over decades, really, but I started out writing pretty traditional stories, then became impatient. It was a writer named Russell Edson who showed me that one could write in any way at all.
Lydia Davis
I don't believe, in the end, that there is any such thing as no style. Even a very neutral, plain style, one that doesn't use colloquialisms, lyrical flourishes, heavy supplies of metaphor, etc., is a style, and it becomes a writer's characteristic style just as much as a thicker, richer deployment of idiom and vocabulary.
Lydia Davis
In some sense the text and the translator are locked in struggle - 'I attacked that sentence, it resisted me, I attacked another, it eluded me' - a struggle in which, curiously, when the translator wins, the text wins too.
Lydia Davis
Do what you want to do, and don't worry if it's a little odd or doesn't fit the market.
Lydia Davis
To be simple, I would say a story has to have a bit of narrative, if only she says, and then enough of a creation of a different time and place to transport the reader.
Lydia Davis
As the writer, I may choose to ignore the emotional heart of the matter, and focus on details, and trust that the heart of the matter will be conveyed nevertheless.
Lydia Davis
I don’t like to hurt people’s feelings, and I don’t like to knock other writers as a matter of principle.
Lydia Davis
So the question really is, Why doesn't that pain make you say, I won't do it again? When the pain is so bad that you have to say that, but you don't.
Lydia Davis
I don't believe a good poet is very often deliberately obscure. A poet writes in a way necessary to him or her the reader may then find the poem difficult.
Lydia Davis
If I was writing about an academic or a more difficult person, I would use the Latinate vocabulary more, but I do think Anglo-saxon is the language of emotion.
Lydia Davis
I looked like a woman in glasses, but I had dreams of leading a very different kind of life, the life of a woman who would not wear glasses, the kind of woman I saw from a distance now and then in a bar.
Lydia Davis
I find teaching - I like it, but I find just walking into the classroom and facing the students very difficult.
Lydia Davis
