Quote

There seemed to be three choices: to give up trying to love anyone, to stop being selfish, or to learn to love a person while continuing to be selfish.

Lydia Davis

Change background

T
T
T

Change font

TAGS & TOPICS

Lydia Davis
Age: 77
Born: 1947
Born: July 15
Linguist
Novelist
Translator
University Teacher
Writer
Northampton
Massachusetts
Learn
Three
Give
Continuing
Persons
Selfish
Person
Seemed
Giving
Stop
Trying
Choices
Love
Anyone

More quotes by Lydia Davis

Image
As the writer, I may choose to ignore the emotional heart of the matter, and focus on details, and trust that the heart of the matter will be conveyed nevertheless.
Lydia Davis
Image
The moment when a limit is reached, when there is nothing ahead but darkness: something comes in to help that is not real. Another way all this is like madness: a mad person not helped out of his trouble by anything real begins to trust what is not real because it helps him and he needs it because real things continue not to help him.
Lydia Davis
Image
Do what you want to do, and don't worry if it's a little odd or doesn't fit the market.
Lydia Davis
Image
Because I'm not writing all the time (thank goodness), my mind is sometimes pleasantly blank.
Lydia Davis
Image
My stories are sometimes closer to poems or meditations, but often there is at least a little narrative in them.
Lydia Davis
Image
Often, the idea that there can be a wide range of translations of one text doesn't occur to people - or that a translation could be bad, very bad, and unfaithful to the original.
Lydia Davis
Image
I looked like a woman in glasses, but I had dreams of leading a very different kind of life, the life of a woman who would not wear glasses, the kind of woman I saw from a distance now and then in a bar.
Lydia Davis
Image
In some sense the text and the translator are locked in struggle - 'I attacked that sentence, it resisted me, I attacked another, it eluded me' - a struggle in which, curiously, when the translator wins, the text wins too.
Lydia Davis
Image
To be simple, I would say a story has to have a bit of narrative, if only she says, and then enough of a creation of a different time and place to transport the reader.
Lydia Davis
Image
I don't believe a good poet is very often deliberately obscure. A poet writes in a way necessary to him or her the reader may then find the poem difficult.
Lydia Davis
Image
I am simply not interested, at this point, in creating narrative scenes between characters.
Lydia Davis
Image
When I'm trying a new form- trying to do something I'm not used to doing, which was true of the novel.
Lydia Davis
Image
I'm a fierce editor! I don't edit out things that I began by saying, usually. The editing is on the micro level - a comma here, a word there.
Lydia Davis
Image
I am basically the sort of person who has stage-fright teaching. I kind of creep into a classroom. I'm not an anecdote-teller, either, although I often wish I were.
Lydia Davis
Image
That's the interesting thing about writing. You can start late, you can be ignorant of things, and yet, if you work hard and pay attention you can do a good job of it.
Lydia Davis
Image
I think a lot of what goes into writing can be taught - not mixing metaphors, etc.
Lydia Davis
Image
I never dream in French, but certain French words seem better or more fun than English words - like 'pois chiches' for chick peas!
Lydia Davis
Image
Part of my mind is working on how to end the thing while I'm going on. You need at least two brains to write.
Lydia Davis
Image
So the question really is, Why doesn't that pain make you say, I won't do it again? When the pain is so bad that you have to say that, but you don't.
Lydia Davis
Image
I don't pare down much. I write the beginning of a story in a notebook and it comes out very close to what it will be in the end. There is not much deliberateness about it.
Lydia Davis