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The best night of my life was watching the moon turn red on an island .I think it was called the blood moon and it happens like once every - I don't know how long, but it was a beautiful night. It was a very magical moment.
Luke Evans
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Luke Evans
Age: 45
Born: 1979
Born: April 15
Actor
Film Actor
Stage Actor
Aberbargod
Luke George Evans
Every
Called
Island
Long
Turns
Magical
Think
Moment
Islands
Thinking
Moments
Red
Life
Night
Watching
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Happens
Moon
Beautiful
Turn
Best
Blood
More quotes by Luke Evans
Well usually if I'm having a sh***y day, I don't post anything. I don't go out just to tell everyone I'm having a great day, even if I'm not.
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I'm very, very close to my mum and dad. My mum is only nineteen years older than me, so she could be my older sister, which is really nice.
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I probably wanted to be a shopkeeper, because I like tills.
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Each form of the acting is different. I think it keeps your mind active. TV, film and theater are different disciplines, as are independent films, opposed to studio films. There are differences in the size and the genre, or a period drama as opposed to a contemporary drama, or the types of characters.
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I'm in a fortunate position that sometimes you just get offered roles - they're not necessarily the roles you take, but to get offered a film is amazing. I think the work you've done before that is why you get it.
Luke Evans
I do love action films and I hope I'm going to do many more and learn lots of new crafts 'cause that's the joy of movies.
Luke Evans
In 10 years, I’d love to live near the sea, in a warmer climate. I could see myself with three dogs…and it’d be great to share them with someone else.
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I stay away from Speedos. That would cause me absolutely unnecessary publicity.
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Sometimes it's not about the size of your role, it's about the machine that you're part of.
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If you look weird, you can blame the role, you know? So no one's going to tell me I'm having a mid-life crisis.
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It's just nice to do something a bit different, and I guess when you're an actor, you have the license to do that.
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When you're working, you're flying on someone else's buck. When you're flying on your own, you sort of go, 'You know what, I'd rather keep the dosh in my pocket to spend when I get there.
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You've got to be in the moment and respond to what you're feeling. I try to simplify it as much as possible.
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Good suits don't come from anywhere, though - I mainly wear Armani, Louis Vuitton and Burberry.
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I started doing [acting] for a living, no one really warned me about the amount of traveling I would do. I always thought everything was shot in Los Angeles.
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For one movie, I'm learning to play a violin, and I had never picked up a violin in my life. That's a big challenge. That's what I see as one of the advantages of this business. You get to do things you'd never do, in a normal lifestyle.
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You can over complicate everything with techniques when you're in the moment, you have to feel that you are that character, that you're feeling the pain or the happiness or whatever it is that they're feeling in that moment. Usually the authenticity will manifest itself.
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Directing is something I've sort of always felt like I'd like to do at one point and I thought the best way to start it is to write something myself or with someone and I'd go from there.
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Every film, every fight choreographer, wants to have a different flair, have a different fight technique. So any film I've done that involved weapons has always been fascinating because everyone is different.
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I'm an only child. My mum and dad are six in each family. They're both twins, and they only wanted one. I always say to them though that they're lucky - it could have all gone wrong.
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