As an actress, I'm supposed to create something from head to toes, with clues, with lines, with shapes, and even with that power, I felt lost and not in control.

I don't act to be popular, or see my face on the cover of magazines every time I go out to get coffee. I don't want to think about me all the time, and what I look like.

You know, when you start, especially with me, I didn't really know I was going to be a movie actress. I thought I was going to do theater.

In modelling or football, being 30 is very bad. But, for an actress, ageing is like wine. You taste better and better because your body, your mind, your feelings, all this is a tool and it's getting sharper with time.

As an actress, I think I really understand that stage where you think you are picking reality in order to feed the fiction, but it happens to be the contrary. It's the fiction that suddenly feeds your reality. And you don't know how it has been done. That's the kind of magical transposition that is art.

In 'Swimming Pool,' all the colors are very warm, sunny, the pool and all that. In 'Love Crime,' everything is so cold, and it's all inside skyscrapers.

I really have problems with horror movies. I don't watch them. It's a feeling I don't want to have in cinema. I'm too reactive. It's too draining to watch that kind of movie.

Having a movie that lasts and makes your image imprinted into the history of cinema, it's very positive.

I'd say people recognize me but having children recognize me is the best. It is a very special thing. Suddenly you feel like you have the power to make the children's dreams come true and it's better than anything else.

I'm not interested in making money, or being wealthy enough to have a villa in Beverly Hills, because in Paris I don't need that much money.

I would love to meet some directors, and why not do some other movies in America? But, I'm not obsessed with this idea. I'm feeling very free in Europe.