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The painter makes real to others his innermost feelings about all that he cares for. A secret becomes known to everyone who views the picture through the intensity with which it is felt.

Lucian Freud

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Lucian Freud
Age: 88 †
Born: 1922
Born: December 8
Died: 2011
Died: July 20
Drawer
Graphic Artist
Illustrator
Painter
Printmaker
Berlin
Germany
Lucian Michael Freud
Lucien Freud
Lusyan Froid
Feelings
Painting
Makes
Expression
Art
Becomes
Others
Views
Innermost
Care
Secret
Cares
Real
Known
Intensity
Everyone
Painter
Felt
Picture

More quotes by Lucian Freud

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The aura given out by a person or object is as much a part of them as their flesh.
Lucian Freud
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Losing as much money as I can get hold of is an instant solution to my economic problems.
Lucian Freud
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The task of the artist is to make the human being uncomfortable.
Lucian Freud
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I've always wanted to create drama in my pictures, which is why I paint people. It's people who have brought drama to pictures from the beginning. The simplest human gestures tell stories.
Lucian Freud
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Painting is sometimes like those recipes where you do all manner of elaborate things to a duck, and then end up putting it on one side and only using the skin.
Lucian Freud
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I could never put anything into a picture that wasn't actually there in front of me. That would be a pointless lie, a mere bit of artfulness.
Lucian Freud
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It is the only point of getting up every morning: to paint, to make something good, to make something even better than before, not to give up, to compete, to be ambitious.
Lucian Freud
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The painter must give a completely free rein to any feeling or sensations he may have and reject nothing to which he is naturally drawn.
Lucian Freud
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The longer you look at an object, the more abstract it becomes, and, ironically, the more real.
Lucian Freud
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The character of the artist doesn't enter into the nature of the art
Lucian Freud
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The model should only serve the very private function for the painter of providing the starting point for his excitement
Lucian Freud
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If all the qualities which a painter took from the model for his picture were really taken, no person could be painted twice.
Lucian Freud
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The painting is always done very much with [the model's] co-operation. The problem with painting a nude, of course, is that it deepens the transaction. You can scrap a painting of someone's face and it imperils the sitter's self-esteem less than scrapping a painting of the whole naked body.
Lucian Freud
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I always felt that my work hadn't much to do with art my admirations for other art had very little room to show themselves in my work because I hoped that if I concentrated enough the intensity of scrutiny alone would force life into the pictures. I ignored the fact that art, after all, derives from art. Now I realize that this is the case.
Lucian Freud
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I paint people, not because of what they are like, not exactly in spite of what they are like, but how they happen to be.
Lucian Freud
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Were it not for this [dissatisfaction], the perfect painting might be painted, on the completion of which the painter could retire. It is this great insufficiency that drives him on. The process of creation becomes necessary to the painter perhaps more than it is in the picture. The process is in fact habit-forming.
Lucian Freud
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Full, saturated colours have an emotional significance I want to avoid.
Lucian Freud
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I work from the people that interest me, and that I care about, in rooms that I live in and know. I use the people to invent my pictures, and I can work more freely when they are there.
Lucian Freud
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The paintings live because their creator has been passionately attentive to their theme, and his attention has left something for us to look at. It seems a sort of miracle.
Lucian Freud
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My work is purely autobiographical... It is about myself and my surroundings.
Lucian Freud