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Perhaps we had at last reached that stage of intimacy that destroys intimacy.

Lorrie Moore

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Lorrie Moore
Age: 67
Born: 1957
Born: January 13
Faculty Member
Novelist
Writer
Glens Falls
New York
Last
Destroys
Intimacy
Reached
Perhaps
Stage
Lasts

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If prose can cast a spell, we will listen to it no matter what it's saying. If a narrative uses language in a magical and enlivening way, we will listen to the story. But if the language doesn't cast a spell, we will listen to it only if it is telling us something that actually happened.
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Your numbness is something perhaps you cannot help. It is what the world has done to you. But your coldness. That is what you do to the world.
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This lunge at moral fastidiousness was something she'd noticed a lot in people around here. They were not good people. They were not kind. But they recycled their newspapers!
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One should never turn one's back on a vivid imagination.
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She hadn't been given the proper tools to make a real life with, she decided, that was it. She'd been given a can of gravy and a hairbrush and told, There you go. -- Willing
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Humor comes from the surprise release of some buried tension.
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I had never feared insomnia before--like prison, wouldn't it just give you more time to read?
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Rather than a teaching tool, I think a novel is more of a witnessing entity. A witnessing entity? What is that? I just want the reader to step in and experience it as a story.
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Twenty-year-olds have a kind of emotional idealism about relationships and about the world that enables them to say, 'No, you lied to me. Goodbye.' When they see wickedness, they walk away.
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Personally I've never put much store by honesty- I mean how can you trust a word whose first letter you don't even pronounce
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They had, finally, the only thing anyone really wants in life: someone to hold your hand when you die.
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Women now were told not to settle for second best, told that they deserved better, but at a time, it seemed, when there was so much less to go around.
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If you look at most womens writing, women writers will describe women differently from the way male writers describe women. The details that go into a woman writers description of a female character are, perhaps, a little more judgmental. Theyre looking for certain things, because they know what women do to look a certain way.
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Plots are for dead people.
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Love is the answer, said the songs, and that's OK. It was OK, I supposed, as an answer. But no more than that. It was not a solution it wasn't really even an answer, just a reply.
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No matter what terror the earth could produce - winds, seas - a person could produce the same, lived with the same, lived with all that mixed-up nature swirling inside, every bit. There was nothing as complex in the world - no flower or stone - as a single hello from a human being.
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When she packed up to leave, she knew that she was saying goodbye to something important, which was not that bad, in a way, because it meant that at least you had said hello to it to begin with.
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When you find out who you are, you will no longer be innocent. That will be sad for others to see. All that knowledge will show on your face and change it. But sad only for others, not for yourself. You will feel you have a kind of wisdom, very mistaken, but a mistake of some power to you and so you will sadly treasure it and grow it.
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(Such a life)engaged gross quantities of hope and despair and set them wildly side by side, like a Third World country of the heart.
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But that inadequacy, or feeling of inadequacy, never really goes away. You just have to trudge ahead in the rain, regardless.
Lorrie Moore