Quote

When Ivy [Wilkes] begins her work in forgery, she doesn't yet know the toll that it will take on her own original work. She even thinks it might be a way to find inspiration. By the time she realizes that she has lost her own voice, she is thoroughly entangled in the forgery mess.

Liza Campbell

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Liza Campbell
Age: 64
Born: 1959
Born: September 24
Aristocrat
Artist
Autobiographer
Calligrapher
Columnist
Model
Writer
Lady Elizabeth Campbell
Elizabeth Campbell
Lady Liza Campbell
Thinks
Toll
Take
Inspiration
Tolls
Even
Realizing
Realizes
Work
Voice
Thoroughly
Way
Lost
Originals
Wilkes
Time
Doesn
Mess
Forgery
Thinking
Original
Entangled
Find
Begins
Ivy
Might

More quotes by Liza Campbell

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Finally, I found a wonderful agent who wanted to work with me, and she sent it to one billion publishers and received one billion rejections, until I was fortunate enough to be matched up with the Permanent Press.
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I am a tragically bad artist.
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I do think that it is one of the eternal questions about art, though - is all art intrinsically selfish?
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I was at an art museum with my parents, and was quite taken with a [Vincent] Van Gogh painting. I stood admiring the painting for some time, and then realized that in addition to feeling moved by the beauty of the painting, I felt a little jealous of the painter.
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Yet [Georgia O'Keeffe ] always stayed true to her vision, and was at times uncompromising in following the path she saw for herself.
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I am currently in nursing school, so one day I will be both a nurse and a writer.
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[Ivy Wilkes] loves [Georgia] O'Keeffe's work, but is not satisfied by just looking at the paintings she wants the painting to be her own. The plot grew naturally out of Ivy's personality (and flaws).
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Writing a book set in New Mexico was partially a way to express my own love for the state, and partially a way to prudently follow the advice to write what you know.
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The motivation to paint seems more pure, or at least more personal, when the artist is doing it for herself.
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This was my first novel [The Dissemblers ]. I've never seriously written short stories, and actually find short stories much more intimidating as an art form than novels.
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Because Ivy [Wilkes] is just starting out as an artist, I wanted to focus on [Georgia] O'Keeffe's experiences when she was just starting out. I suspect there is a difference between being an unknown artist and being a celebrated artist. When nobody knows your work, nobody except you really cares whether or not you paint.
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I read letters and journal entries by [Georgia] O'Keeffe (which were infinitely more useful than any critical analysis of her work).
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I find that time constraints actually make me more productive, and real world experiences provide a lot of inspiration to write.
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When I finished the book [The Dissemblers], I sent it to one billion agents, and got one billion rejections.
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Now I am as big of an [ Georgia] O'Keeffe admirer as Ivy [Wilkes] is, but that came through writing the book.
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From beginning to end, the novel [Dissemblers] took about three and a half years to write. I didn't write it chronologically.
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At the end, I cobbled scenes all together and smoothed out the transitions as much as possible. Incidentally, I would not recommend this approach to writing a book, and will probably not write that way again!
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Ivy [Wilkes] does exhibit a certain impatience at the beginning of the book [The Dissemblers]. She doesn't want to wait through years of hard work and insignificance to make her mark on the art world. Part of her growth is in realizing - even embracing - that the process of art is more important than the product or the recognition.
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I tend to only write productively for one to two hours per day, so there is plenty of time left over for me to work a day job!
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