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At the end, I cobbled scenes all together and smoothed out the transitions as much as possible. Incidentally, I would not recommend this approach to writing a book, and will probably not write that way again!

Liza Campbell

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Liza Campbell
Age: 65
Born: 1959
Born: September 24
Aristocrat
Artist
Autobiographer
Calligrapher
Columnist
Model
Writer
Lady Elizabeth Campbell
Elizabeth Campbell
Lady Liza Campbell
Write
Incidentally
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Together
Scenes
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Transition
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Cobbled
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More quotes by Liza Campbell

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Writing a book set in New Mexico was partially a way to express my own love for the state, and partially a way to prudently follow the advice to write what you know.
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Yet [Georgia O'Keeffe ] always stayed true to her vision, and was at times uncompromising in following the path she saw for herself.
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I read letters and journal entries by [Georgia] O'Keeffe (which were infinitely more useful than any critical analysis of her work).
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I am a tragically bad artist.
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When I finished the book [The Dissemblers], I sent it to one billion agents, and got one billion rejections.
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I tend to only write productively for one to two hours per day, so there is plenty of time left over for me to work a day job!
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From beginning to end, the novel [Dissemblers] took about three and a half years to write. I didn't write it chronologically.
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This was my first novel [The Dissemblers ]. I've never seriously written short stories, and actually find short stories much more intimidating as an art form than novels.
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Because Ivy [Wilkes] is just starting out as an artist, I wanted to focus on [Georgia] O'Keeffe's experiences when she was just starting out. I suspect there is a difference between being an unknown artist and being a celebrated artist. When nobody knows your work, nobody except you really cares whether or not you paint.
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When Ivy [Wilkes] begins her work in forgery, she doesn't yet know the toll that it will take on her own original work. She even thinks it might be a way to find inspiration. By the time she realizes that she has lost her own voice, she is thoroughly entangled in the forgery mess.
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I am currently in nursing school, so one day I will be both a nurse and a writer.
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Finally, I found a wonderful agent who wanted to work with me, and she sent it to one billion publishers and received one billion rejections, until I was fortunate enough to be matched up with the Permanent Press.
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I find that time constraints actually make me more productive, and real world experiences provide a lot of inspiration to write.
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I do think that it is one of the eternal questions about art, though - is all art intrinsically selfish?
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I was at an art museum with my parents, and was quite taken with a [Vincent] Van Gogh painting. I stood admiring the painting for some time, and then realized that in addition to feeling moved by the beauty of the painting, I felt a little jealous of the painter.
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Now I am as big of an [ Georgia] O'Keeffe admirer as Ivy [Wilkes] is, but that came through writing the book.
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Ivy [Wilkes] does exhibit a certain impatience at the beginning of the book [The Dissemblers]. She doesn't want to wait through years of hard work and insignificance to make her mark on the art world. Part of her growth is in realizing - even embracing - that the process of art is more important than the product or the recognition.
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The motivation to paint seems more pure, or at least more personal, when the artist is doing it for herself.
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[Ivy Wilkes] loves [Georgia] O'Keeffe's work, but is not satisfied by just looking at the paintings she wants the painting to be her own. The plot grew naturally out of Ivy's personality (and flaws).
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