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[Ivy Wilkes] loves [Georgia] O'Keeffe's work, but is not satisfied by just looking at the paintings she wants the painting to be her own. The plot grew naturally out of Ivy's personality (and flaws).

Liza Campbell

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Liza Campbell
Age: 65
Born: 1959
Born: September 24
Aristocrat
Artist
Autobiographer
Calligrapher
Columnist
Model
Writer
Lady Elizabeth Campbell
Elizabeth Campbell
Lady Liza Campbell
Looking
Plot
Work
Naturally
Satisfied
Loves
Wilkes
Personality
Ivy
Painting
Georgia
Grew
Paintings
Wants
Flaws

More quotes by Liza Campbell

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I do think that it is one of the eternal questions about art, though - is all art intrinsically selfish?
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I tend to only write productively for one to two hours per day, so there is plenty of time left over for me to work a day job!
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I am currently in nursing school, so one day I will be both a nurse and a writer.
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From beginning to end, the novel [Dissemblers] took about three and a half years to write. I didn't write it chronologically.
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This was my first novel [The Dissemblers ]. I've never seriously written short stories, and actually find short stories much more intimidating as an art form than novels.
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Ivy [Wilkes] does exhibit a certain impatience at the beginning of the book [The Dissemblers]. She doesn't want to wait through years of hard work and insignificance to make her mark on the art world. Part of her growth is in realizing - even embracing - that the process of art is more important than the product or the recognition.
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Writing a book set in New Mexico was partially a way to express my own love for the state, and partially a way to prudently follow the advice to write what you know.
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I find that time constraints actually make me more productive, and real world experiences provide a lot of inspiration to write.
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At the end, I cobbled scenes all together and smoothed out the transitions as much as possible. Incidentally, I would not recommend this approach to writing a book, and will probably not write that way again!
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The motivation to paint seems more pure, or at least more personal, when the artist is doing it for herself.
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I am a tragically bad artist.
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Now I am as big of an [ Georgia] O'Keeffe admirer as Ivy [Wilkes] is, but that came through writing the book.
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Because Ivy [Wilkes] is just starting out as an artist, I wanted to focus on [Georgia] O'Keeffe's experiences when she was just starting out. I suspect there is a difference between being an unknown artist and being a celebrated artist. When nobody knows your work, nobody except you really cares whether or not you paint.
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Finally, I found a wonderful agent who wanted to work with me, and she sent it to one billion publishers and received one billion rejections, until I was fortunate enough to be matched up with the Permanent Press.
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I read letters and journal entries by [Georgia] O'Keeffe (which were infinitely more useful than any critical analysis of her work).
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When Ivy [Wilkes] begins her work in forgery, she doesn't yet know the toll that it will take on her own original work. She even thinks it might be a way to find inspiration. By the time she realizes that she has lost her own voice, she is thoroughly entangled in the forgery mess.
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I was at an art museum with my parents, and was quite taken with a [Vincent] Van Gogh painting. I stood admiring the painting for some time, and then realized that in addition to feeling moved by the beauty of the painting, I felt a little jealous of the painter.
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