It was a great test of my ability to work with... watercolors. And it was also a test of my patience I needed to put myself in a completely disciplined position... I couldn't make mistakes.

Hyperrealism is more about objectifying... how an object can be portrayed when it is seen through a camera's lens... all my paintings are about an object being viewed through human eyes.

It's destiny! Perhaps it is the energy that pulls on the threads and, well, I'm just leaving it as it is meant to be.

At that time, I was still in an experimental stage, trying to blend Western drawing techniques and Chinese brushwork together. It was harder for me back then... But that piece is special and important, because it represents vigilance and innocence the kind of precious innocence only present at the beginning of a new artistic exploration.

It is not about surpassing the masters who preceded us but more about opening new artistic vistas. It is about doing the things they didn't have a chance or the time to do.